Center for Louisiana Studies Archival Catalog
This searchable database provides information on images, documents, and audio and video recordings, made between 1934 and the present.
Request a fileMoresi - Reaux Collection Scans (Folder C)
D-MO1-C-001
A long letter from J. D. Phillips to Dr. W. E. Hawkins addressing a complaint that was filed against Phillips's business because Hawkins bought a bale of cotton that was one grade of quality lower than what he paid for. Within the letter, Phillips apologizes profusely, trying to maintain Hawkins's business.
D-MO1-C-002
The second page of C-001. It contains suggestions made by Phillips to reimburse Dr. Hawkins for the lackluster product.
D-MO1-C-003
The third page of C-001. It contains suggestions made by Phillips to reimburse Dr. Hawkins for the lackluster product.
D-MO1-C-004
A letter written in French with ornate handwriting. I'm going to ask Mimi to look at it later.
D-MO1-C-005
A letter potentially from Jules A. Petitin. to a Mr. Mulligan, and it might be connected to C-006. The sender appears to be asking about his access to the life insurance he applied for. He's concerned that he won't have access because he is a liquor merchant.
D-MO1-C-006
A change of address form filled out by Mr. Petitin to the Equitable Life Assurance Society. It is potentially connected to C-005.
D-MO1-C-007
Envelope for C-006.
D-MO1-C-008
The handwriting is difficult to read, but the letter seems to be about A. D. Smith ordering some materials from another vendor.
D-MO1-C-009
A note detailing the price for tuition and board for three sessions at St. Charles College. It is for Mr. Perrodin's son's, Sydney's, college career.
D-MO1-C-010
A note from Mrs. Ellen Phillips to Mr. Perrodin, requesting for him to send her five dollars.
D-MO1-C-011
A check (?) of $2000 from Mrs. E. Petetin to Jules Petetin as part of an inheritance.
D-MO1-C-012
Connected to C-011. A note to confirm that Mr.(?) Dunbar received their share of the inheritance from the Petetin Estate.
D-MO1-C-013
Connected to C-011 and C-012. The handwriting is difficult to read, but the letter appears to be about the process of allocating an inheritance to the concerned parties.
D-MO1-C-014
A letter to Mr. Perrodin about an upcoming case he seems to be involved with. The letter details that the trial will be on the 20th of November in Grand Coteau.
D-MO1-C-015
An invoice from St. Charles College made out to Mr. Jules Perrodin. Possibly connected to C-009.
D-MO1-C-016
A letter from M. Joseph Colomo(?). It is written in French, but it appears to be about a payment of $2592.75 to M. Jean Bouffantigue (?).
D-MO1-C-017
A letter to M. J. J. Healy to M. Fontenot. The sender is asking Healy to search through the police jury records to find information on a J. J. Fontenot's time as a member of the jury.
D-MO1-C-018
A letter to the Moresi company from a Mr. Booze. The handwriting is difficult to read in some places, but the letter appears to be about an order Mr. Booze wants to place for the Moresi foundry to fulfill.
D-MO1-C-019
A letter from a representative of the Gibson Cypress Lumber Company to the Moresi Foundry. The representative is writing to place an expedited order for a "metal turned pin." Their mill needs this pin to run, hence the urgency.
D-MO1-C-020
Another letter from the J. D'Echaux Cypress, Lumber, and Shingles company to the Moresi Foundry. The handwriting is difficult to read, but the letter appears to be linked to B-016, B-017, and B-021.
D-MO1-C-021
A letter from J.P. Kemper to the Moresi Foundry that places an order for three, cast-iron flanges. The letter contains a sketch of the desired measurements as well as written out specifications for the foundry to follow.
D-MO1-C-022
Another letter from J.P. Kemper to Mr. Moresi, placing an order for rubber valves (?) and springs.
D-MO1-C-023
An admission ticket for a benefit supper for the St. James Methodist Church.
D-MO1-C-024
A letter from a Fred R. William to the Moresi foundry, placing an order for four copies of a specific kind of bolt, and a sample bolt appears have been sent to the foundry for reference.
D-MO1-C-025
A letter from a Mr. Charles Borne (?) to the Moresi foundry, placing an order for a copper template and a blade to replace an older version of the item.
Daspit Images
I-DA1-3-176 Well's house, Exterior- Side (2)
I-DA1-3-177 Well's house, Exterior- Roof
I-DA1-3-178 Wells house, Exterior- General (2)
I-DA1-3-179 Wells Exterior
I-DA1-3-180 Well's House, Interior- furnishings
I-DA1-3-181 Well's House, Interior- Furnishings
I-DA1-3-182 Windy hill, Natchez, Exterior
I-DA1-3-183 Windy hill, Natchez, Exterior (2)
I-DA1-3-184 Windy hill, Natchez, Exterior (3)
I-DA1-3-185 Windy hill, Natchez
I-DA1-3-186 Elign- Natchez, Plan
I-DA1-3-187 Elign- Natchez, Plan (2)
I-DA1-3-188 Elign Natchez, Exterior
I-DA1-3-189 Elgin, Natchez, Exterior (2)
I-DA1-3-190 Elgin, Natchez, Exterior (3)
I-DA1-3-191 Elgin, Natchez, Exterior (4)
I-DA1-3-192 Elgin, Natchez, Exterior (5)
I-DA1-3-193 Elgin, Natchez, Exterior (6)
I-DA1-3-194 Elgin, Natchez, Exterior (7)
I-DA1-3-195 Elgin, Natchez, Exterior (8)
I-DA1-3-196 Elgin, Natchez, Exterior (9)
I-DA1-3-197 Elgin, Natchez, Exterior (10)
I-DA1-3-198 Elign, interior
I-DA1-3-199 Elign - Natchez, interior
I-DA1-3-200 Elign - Natchez, interior(2)
Daspit Images
I-DA1-3-201 Hope farm, Natchez plan
I-DA1-3-202 Hope farm, Natchez plan (2)
I-DA1-3-203 Hope farm, Natchez Plan (3)
I-DA1-3-204 Hope Farm, Natchez Exterior
I-DA1-3-205 Hope Farm, Natchez Exterior (2)
I-DA1-3-206 Hope Farm, Natchez, Exterior (3)
I-DA1-3-207 Hope Farm, Natchez Exterior (4)
I-DA1-3-208 Hope Farm, natchez Exterior (5)
I-DA1-3-209 Hope Farm, natchez Exterior (6)
I-DA1-3-210 Saragosa
I-DA1-3-211 Saragosa (2)
I-DA1-3-212 Saragosa (3)
I-DA1-3-213 Saragosa (4)
I-DA1-3-214 King's Tavern, Exterior, Built of ship's Wood
I-DA1-3-215 King's Tavern, Exterior, Built of ship's Wood (2)
I-DA1-3-216 King's Tavern, Natchez, Exterior General
I-DA1-3-217 King's Tavern, Natchez, Ms. Marild Anne Breaux
I-DA1-3-218 King's Tavern, Exterior, Built of ship's wood (3)
I-DA1-3-219 King's Tavern, Exterior General
I-DA1-3-220 Mount Locust
I-DA1-3-221 Arlie, plan
I-DA1-3-222 Airlie
I-DA1-3-223 Arlie
I-DA1-3-224 Cherry Grove, Natchex
I-DA1-3-225 Cherry Grove, Natchez (2)
Hoffpauir Images
I-HO1-105 Sleepy Hoffpauir
I-HO1-106 Sonny and Johnny Burns
I-HO1-107 George Jones band
I-HO1-108 April, 1963 Sleepy Hoffpauir posing with fiddle
I-HO1-109 April, 1963 Sleepy Hoffpauir posing with fiddle
I-HO1-110 July, 1963 Vin Bruce Show "Bell River" on NBC; Vin Bruce, Leroy Martin, Harry Anselmi
I-HO1-111 July, 1963 Vin Bruce Show "Bell River" on NBC; Vin Bruce, Leroy Martin, Harry Anselmi
I-HO1-112 July, 1963 Vin & Alaine Bruce
I-HO1-113 Jan, 1965 Leroy Martin, Tony Thibodeaux, Sleepy Hoffpauir, Vin Bruce Midway Dancehall
I-HO1-114 Jan, 1965 Leroy Martin, Tony Thibodeaux, Sleepy Hoffpauir, Vin Bruce Midway Dancehall
I-HO1-115 October, 1962 George Jones band Shelly's Inn, Texas
I-HO1-116 October, 1962 George Jones band Shelly's Inn, Texas
I-HO1-117 October, 1962 George Jones band Shelly's Inn, Texas
I-HO1-118 April, 1972 [picture too faded to ID anyone]
I-HO1-119 August, 1968 George Jones band
I-HO1-120 August, 1968 George Jones band
I-HO1-121 August, 1968 George Jones playing the fiddle
I-HO1-122 August, 1968 George Jones band
I-HO1-123 August, 1968 George Jones band
I-HO1-124 Feb, 1966 Leon Rausch
I-HO1-125 Feb, 1966 Bob Wills & Jimmy Belkens
Moresi - Reaux Collection Scans (Folder D)
D-MO1-D-001
A letter from Charles Borne to the Moresi company. Borne wrote the Moresi company to order a new gear and to inquire about some bolts that have not been delivered to him yet.
D-MO1-D-002
A letter from a Mr. O'Brien to the Moresi company, inquiring about the price for purchasing new 32 x 60" shells.
D-MO1-D-003
A letter to J.J. Healy from Mr. Modawell.In the letter, Modawell informs Healy of some tasks for his job as the Police Jury Clerk of St. Landry Parish.
D-MO1-D-004
A letter from the Louisiana Board of Control and State Penitentiary (?) detailing an order for materials from the Moresi Foundry.
D-MO1-D-005
Another letter from Charles Borne to the Moresi foundry. In the letter, Borne places an order for a variety of flanges.
D-MO1-D-006
A letter to the Moresi foundry, but the handwriting is difficult to read. It appears to be an order for sheet metal and a part that needs to be replaced.
D-MO1-D-007
The handwriting is difficult to read. A letter to the Moresi foundry from a representative of the Board of Control (?). It appears to be an order for repairs to come castings.
D-MO1-D-008
A letter to the Moresi foundry, detailing an order of coal and sand for the Louisiana Board of Control.
D-MO1-D-009
An order made to the Moresi foundry from H. S. (?) Armstrong on behalf of the Board of Control. The order is for a replacement gear that has been adjusted to suit the sender's project.
D-MO1-D-010
Another request from Mr. Armstrong to the Moresi foundry. Potentially connected to C-009. Armstrong's order consists of a bolt, a hex nut, and a washer with certain measurements.
D-MO1-D-011
An order made to the Moresi foundry, but the sender's name is difficult to make out. The sender wanted some new parts made for a Drain Machine Boiler Tender and sent the old parts as a reference.
D-MO1-D-012
An order made out to the Moresi Foundry for E. B. Trotman on behalf of the Board of Control. This order is to have some shafting welded for a cane roller.
D-MO1-D-013
A letter sent by a Mr. Kife (?) to ammend an order he made to the Moresi foundry. The sender requests for a change in the size of the metal he has ordered and requests for some additional material for welding. The handwriting is difficult to read in some places.
D-MO1-D-014
Another order from Charles Borne to the Moresi foundry. The handwriting is a bit difficult to read in some places, but the order appears to be for materials with certain dimensions.
D-MO1-D-015
Another order for the Moresi foundry from Mr. Armstrong. The order is for a new part for a pair of wheels.
D-MO1-D-016
A first premium ticket for the Haughton Community Fair, sponsored by the Future Farmers of America.
D-MO1-D-017
A second premium ticket for the Haughton Community Fair, sponsored by the Future Farmers of America.
D-MO1-D-018
A list of items with their prices from the Wafer and Lawrence Lumber Company. This is an order for a person named Rodessa.
D-MO1-D-019
A letter from A. W. Bonvillain to Mr. Moresi about a job he wishes the Moresi foundry to complete. Bonvillain wanted to have some gear stands made smaller so that they would be level with his mill shaft.
D-MO1-D-020
An order from A. T. Gerrans of the St. Louis Cypress Company to the Moresi foundry.
D-MO1-D-021
The handwriting is difficult to read. An order to the Morsi foundry for an adjustment to an engine belt, which includes a sketch of the part's dimensions.
D-MO1-D-022 A sketch of half of a cylinder head which includes the dimensions the sender wished to have for it. Presumably, this was sent to the Moresi foundation for an order.
D-MO1-D-023
A note from E. Pallumo (?) to the Moresi foundry. It is an order for three stell roller bands, and the note includes a sketch that details the dimensions Pallumo wants.
D-MO1-D-024
A sketch of the dimensions the sender wanted some red cypress to be cut for a mill (?).
D-MO1-D-025
A sketch that was sent to the Moresi foundry that details the dimensions of a gas pipe (?) the sender wanted.
Daspit Images
I-DA1-3-226 Cherry Grove, Natchez (3)
I-DA1-3-227 Priest's House, Natchez
I-DA1-3-228 Priest's House, Natchez (2)
I-DA1-3-229 Springfield, Exterior
I-DA1-3-230 Springfield, Exterior (2)
I-DA1-3-231 Springfield, Exterior (3)
I-DA1-3-232 Springfield, Exterior (4)
I-DA1-3-233 Springfield, Exterior (5)
I-DA1-3-234 Springfield, Exterior (6)
I-DA1-3-235 Springfield, Exterior (7)
I-DA1-3-236 Springfield, Exterior (8)
I-DA1-3-237 Springfield, Exterior (9)
I-DA1-3-238 Springfield, Exterior (10)
I-DA1-3-239 Springfield, Exterior (11)
I-DA1-3-240 Oakland- Natchez, Exterior
I-DA1-3-241 Oakland- Natchez, Exterior (2)
I-DA1-3-242 Oakland- Natchez, Interior
I-DA1-3-243 Oakland- Natchez, Interior (2)
I-DA1-3-244 Concord, Natchez
I-DA1-3-245 Concord, Natchez Exterior
Hoffpauir Images
I-HO1-126 Feb, 1966 Bob Wills hollering
I-HO1-127 Feb, 1966 Bob Wills, Jimmy Belkens, Johnny Manson
I-HO1-128 Feb, 1966 Johnny Manson
I-HO1-129 Feb, 1966 Unknown steel player with Bob Wills band
I-HO1-130 December, 1971 Sleepy Hoffpauir, Edward Junot, George Svoboda, Curly Mertz, Delphine Rod; Billy Means Band; Wharton, Texas
I-HO1-131 December, 1971 Sleepy Hoffpauir, Edward Junot, George Svoboda, Curly Mertz, Delphine Rod; Billy Means Band; Wharton, Texas
I-HO1-132 December, 1971 Sleepy Hoffpauir, Edward Junot, George Svoboda, Curly Mertz, Delphine Rod; Billy Means Band; Wharton, Texas
I-HO1-133 December, 1971 Sleepy Hoffpauir, Edward Junot, George Svoboda, Curly Mertz, Delphine Rod; Billy Means Band; Wharton, Texas
I-HO1-134 May, 1972 Loretta Lynn
I-HO1-135 May, 1972 Loretta Lynn & Laura Thibodeaux
I-HO1-136 May, 1972 Loretta Lynn
I-HO1-137 5-Jul-69 Ray Price, Jimmy Belkins, Bob White
I-HO1-138 5-Jul-69 Ray Price, Jimmy Belkins, Bob White
I-HO1-139 5-Jul-69 Ray Price, Jimmy Belkins, Bob White
I-HO1-140 5-Jul-69 Ray Price, Jimmy Belkins, Bob White
I-HO1-141 5-Jul-69 Ray Price, Jimmy Belkins, Bob White
I-HO1-142 5-Jul-69 Jimmy Berkins of Ray Price's band, Rufus Thibodeaux, Sleepy Hoffpauir
I-HO1-143 5-Jul-69 Jimmy Berkins of Ray Price's band, Rufus Thibodeaux, Sleepy Hoffpauir
I-HO1-144 5-Jul-69 Rufus Thibodeaux, Sleepy Hoffpauir
I-HO1-145 5-Jul-69 Rufus Thibodeaux
I-HO1-146 Mar-72 Pee Wee Whitewing, Alton Thibodeaux, Ronnie Roux
Moresi - Reaux Collection Scans (Folder E)
D-MO1-E-001
Another order from the Board of Control to the Moresi foundry. The order is for 10 feet of flat (?) iron and a 10 inch round.
D-MO1-E-002
Hand-written Letter An order from Mr. Trotmann (?) to the Moresi foundry. Trotmann needs an axis repaired.
D-MO1-E-003
Another letter from Mr. Gerrans of the St. Louis Cypress Company. In the letter, Gerrans is placing an order for one Reilly single stroke oil pump and fittings as well as inquiring about an Underwriters fire pump.
D-MO1-E-004
Another order from Mr. Trotmann on behalf of the Board of Control to the Moresi foundry. The order is for a duplicate of a pump that was previously purchased.
D-MO1-E-005
Another letter from Mr. Trotmann to the Moresi foundry, placing an order for 2 bars of flat(?) iron on behalf of the Board of Control.
D-MO1-E-006
The handwriting in this letter is difficult to read. It appears the sender wanted the receiver to send them(?) a check for one hundred dollars, and the sender tells the receiver that they will approve of a short extension of this payment(?) if need be.
D-MO1-E-007
Another letter to the Moresi foundry from Mr. Trotmann on behalf of the Board of Control, ordering one load of coal.
D-MO1-E-008
Another letter from Mr. Borne to the Moresi foundry (referred to the Jeanerette foundry in the document). The order is for a tune up for a centrifuge spindle.
D-MO1-E-009
The handwriting is difficult to read. The letter is about how the mill service will be closed at an earlier time because the sender needs to be back at home.
D-MO1-E-010
The handwriting is difficult to read. Another letter involving Mr. Healy about bills that have been approved by the Police Jury that need to be collected.
D-MO1-E-011
The second half of a letter from Dr. W.D. Haas to either his Aunt or Uncle. Haas writes about how he and his family are going and details his plans to visit the town of Evergreen for the dedication of a Masonic Lodge.
D-MO1-E-012
An order to the Lone Pine Mills from Dr. W.E. Hawkins for ceiling panels(?) and shingles.
D-MO1-E-013
A fragment of a letter from the Natalbany Lumber Company. The sender and receiver's names are cut off, but the letter appears to be a follow up to a previous inquiry into the goods offered by the lumber company.
D-MO1-E-014
An order to the Moresi foundry from Mr. Collins on behalf of the Oak Bluff Planting and Manufacturing company. The order consists of four cast iron plates with drilled holes for flat head screws, and Collins specifies that this job needs to be expedited.
D-MO1-E-015
Another order to the Moresi foundry from the Oak Bluff Planting and Manufacturing company for cast iron bearing plates with bolt holes. They also inquire about the foundry's price for eight boiler back plates and twenty dowel pins tapered out of machine steel.
D-MO1-E-016
Hand-written Letter An order to the Moresi foundry from Mr. Monk on behalf of The Oak Lawn Sugar Company to create a duplicate of a small yoke. The original yoke was sent with the letter to serve as a reference.
D-MO1-E-017
A letter to Dr. Hawkins from A.K. Clingman of Clingman Nurseries. Hawkins was in the market for a "large bill of trees," so Clingman wanted to send him his nursery's catalogue to see if Hawkins would be interested in ordering from him.
D-MO1-E-018
The food section of a newspaper. There is an article about Louisiana cuisine.
D-MO1-E-019
The meeting minutes for the Board of Supervisors of the First Road District of the Fourth Police Jury Ward, discussing the construction of a few roads and bridges.
D-MO1-E-020
The second page of meeting minutes for the Board of Supervisors of the First Road District. The board seems to have a contract with R.M. Hollier's construction company, but there were some modifications of the contract that the board needed to discuss.
D-MO1-E-021
The final page of meeting minutes for the Board of Supervisors of the First Road District. It has a closing statement from the board's secretary, A.W. Krotz, certifying that the previous pages contained an accurate account of events.
D-MO1-E-022
A letter to Mr. S.C. Skile(?) from Mr. C. Ducote about a previous inquiry about purchasing insurance. The bottom half of the page is water damaged, making the writing difficult to read.
D-MO1-E-023
The bottom half of the paper is torn and the writing is faded, making the contents difficult to read. It appears that the sender, Mr. Burd(?) was placing an order of 4 sacks of charcoal and a particular kind of hinge.
D-MO1-E-024
A statement written and signed by Dr. C.A. Gardiner, declaring Rachel Hicks unable to work for a livelihood due to her condition. The statement is additionally signed by a Mrs. Simon and Mr. Meiller.
D-MO1-E-025
A letter to Dr. W.A. Quick(?) about a potential land deal the both the sender and Quick wishes make. They want to sell the land to the highest bidder, especially since the mills nearby could be looking to expand.
Daspit Images
I-DA1-1-076 Influences- Director's house, observatory, New Orleans drawing (2)
I-DA1-1-077 Observatory New Orleans, C.1726 House of Plantation Manager
I-DA1-1-078 Obervatory, Baron
I-DA1-1-079 Officers and soldiers Barracks
I-DA1-1-080 Corps De Guarde, Belize
I-DA1-1-081 Influences- Corps de Guarde/ barracks belize, Plan drawn by latrobe
I-DA1-1-082 New Orleans, Early Views, Proposed Intendance building, Broutin gallery
I-DA1-1-083 Influences- New orleans Broutin Intendance Building Plan
I-DA1-1-084 New orleans, Broutin Intendance Building
I-DA1-1-085 New orleans, Barracks Broutin
I-DA1-1-086 Ursiline Convent, plan
I-DA1-1-087 New orleans, Ursuline Convent drawing/ plan, Broutin- Architect
I-DA1-1-088 La Direction
I-DA1-1-089 New orleans - Earley Views maps, Buildings
I-DA1-1-090 New orleans views
I-DA1-1-091 New orleans, Earley views maps, Buildings, St. Louis Cathedral, Adrien de Pauger
I-DA1-1-092 New orleans, Earley views maps, Buildings, St. Louis Cathedral
I-DA1-1-093 New orleans, Earley Views Maps, Buildings
I-DA1-1-094 Ursuline Grounds, Doctor's residence, Broutin
I-DA1-1-095 Dr Joseph Montegut's daughter's residence
I-DA1-1-096 Influences- Manor House, lombard House Drawing
I-DA1-1-097 Manor House, Lombard House
I-DA1-1-098 Manor House, lombard House (2)
I-DA1-1-099 Denise Fuselier, Lombard House 2
I-DA1-1-100 Manor House, Lombard House
Daspit Images
I-DA1-4-026 Louisiana, Creole Milton, Louisiana Exterior
I-DA1-4-027 Louisiana, Creole Milton, Louisiana Exterior (2)
I-DA1-4-028 Creole, Exterior, Milton, Louisiana
I-DA1-4-029 Louisiana, Creole Milton, Louisiana Interior
I-DA1-4-030 Louisiana, Creole Milton, Louisiana Interior (2)
I-DA1-4-031 Louisiana, Creole Milton, Louisiana Interior (3)
I-DA1-4-032 Creole, Milton, Interior
I-DA1-4-033 Louisiana, Creole Milton, Louisiana Interior (4)
I-DA1-4-034 Creole Milton, Interior (2)
I-DA1-4-035 Creole Exterior
I-DA1-4-036 Creole, Exterior, Bayou laFourche
I-DA1-4-037 Creole Milton Exterior (2)
I-DA1-4-038 Creole, Exterior, Bayou laFourche (2)
I-DA1-4-039 Creole Milton Exterior (3)
I-DA1-4-040 Creole, Exterior, Bayou laFourche (3)
I-DA1-4-041 Creole, Exterior, Bayou laFourche (4)
I-DA1-4-042 Creole, Exterior, Bayou laFourche (5)
I-DA1-4-043 Creole, Exterior, Bayou laFourche (6)
I-DA1-4-044 Creole, Milton, La. Exterior, Bayou LaFourche
I-DA1-4-045 Creole, Exterior, Bayou laFourche (7)
I-DA1-4-046 Creole, Exterior, Bayou laFourche (8)
I-DA1-4-047 Creole, Exterior, Bayou laFourche (9)
I-DA1-4-048 Creole, Exterior, Bayou laFourche (10)
I-DA1-4-049 Thomas, Beary House, Lafourche, Exterior
I-DA1-4-050 Armand- Broussard, vermillionville, Exterior- general
Hoffpauir Images
I-HO1-147 Mar-72 Pee Wee Whitewing, Alton Thibodeaux, Ronnie Roux
I-HO1-148 Mar-72 Al Foreman Broussard, Larry Brasseaux, Bobby McBride
I-HO1-149 December, 1968 Junior Martin, Raymond Cormier, Jeol Sonnier, Aldus Roger, Tony Thibodeaux, Demis Comeaux
I-HO1-150 December, 1968 "Neg" Montex, Rufus Thibodeaux, J.B. Peri
I-HO1-151 April, 1972 Rufus Thibodeaux, Jimmy Newman, Bobby McBride; Airport Club, Abbeville, LA
I-HO1-152 April, 1972 Rufus Thibodeaux, Jimmy Newman, Bobby McBride; Airport Club, Abbeville, LA
I-HO1-153 December, 1965 Sleepy Hoffpauir
I-HO1-154 Sleepy Hoffpauir, Aldus Roger
I-HO1-155 Leo HeBert, Sleepy Hoffpauir
I-HO1-156 8-Sep-78 Leo HeBert, Sleepy Hoffpauir Tee's Lounge
I-HO1-157
I-HO1-158 8-Mar-80 Sleepy Hoffpauir, Gene Lavernge Evan Club
I-HO1-159 8-Mar-80 Sleepy Hoffpauir, Gene Lavernge Evan Club
I-HO1-160 8-Mar-80 Wes Reeves, Norman Wade Evan Club
I-HO1-161 8-Mar-80 Wes Reeves, Sleepy Hoffpauir, Norman Wade; Evan Club
I-HO1-162 8-Mar-80 Wes Reeves, Norman Wade; Evan Club
I-HO1-163 8-Mar-80 Wes Reeves, Norman Wade; Evan Club
I-HO1-164 8-Mar-80 Wes Reeves, Sleepy Hoffpauir, Norman Wade; Evan Club
I-HO1-165 Sleepy Hoffpauir
I-HO1-166 Sleepy Hoffpauir, Wes Reeves
I-HO1-167 Sleepy Hoffpauir overdubbing
Moresi - Reaux Collection Scans (Folder F)
D-MO1-F-001
A list of goods ordered from Alcee Devillier from an unknown sender. The list consists of items used for machine maintenance including gasoline and coal oil.
D-MO1-F-002
The second half of a letter from P. E. Moore to a friend of his. The writing is difficult to read in some places. Moore writes about what he has been up to, detailing his visit to a "a most lovely place." Moreover, he writes that he will come to visit his friend soon.
D-MO1-F-003
A payment of $35.50 from Mr. John Chirs(?) to Dr. J.E. Shute. There is also an additional note written in French at the bottom of the paper, detailing a payment of $15.00 from Mr. Perrodin to Dr. Shute.
D-MO1-F-004
The first fragment of a letter to the Police Jury of St. Landry Parish torn into three pieces, connected to F-005 and F-006. The letter is from Dr. Hawkins, Mr. Wharton(?), and another signature that is too difficult to read to the Police Jury of St. Landry Parish.
D-MO1-F-005
The second fragment of a letter to the Police Jury of St. Landry Parish torn into three pieces, connected to F-004 and F-006. The three senders are requesting for "Annie(?)" Phillis Ferguson to be placed on the indigent list since she is too old to work.
D-MO1-F-006
The third fragment of a letter to the Police Jury of St. Landry Parish torn into three pieces, connected to F-004 and F-005.
D-MO1-F-007
A check written to Dr. W.E. Hawkins for $2.50. The sender's name is too ornately written to read, but it can be concluded that they were a previous patient of Hawkins, paying for their treatment.
D-MO1-F-008
A letter to Dr. J.E. Hawkins from B.B. Hawkins, who is, presumably, Dr. Hawkins' relative. In the letter, B.B. Hawkins writes that a man named Jessie came around, interested in a mule that they are caring for, but B.B. Hawkins is not willing to sell the mule to him because Jessie is, "very cruel to stock."
D-MO1-F-009
Envelope for F-008.
D-MO1-F-010
A letter to the Lecompte Bank from W.E. Hawkins. The writing is difficult to read in some spots. In it, Hawkins requests for the reciever to find a specific rent-note for A.S. Bass with another name on the back. He wants the bank to collect the due principle imminently.
D-MO1-F-011
Envelope for F-010
D-MO1-F-012
Another letter from W.E. Hawkins to the Lecompte Bank about the A.S. Bass mentioned in F-010. Apparently, Mr. Bass has been a problematic tenant, avoiding his rent payments for several months, and now, Mr. Hawkins is determined to collect.
D-MO1-F-013
The second page of F-012.
D-MO1-F-014
Another letter from W.E. Hawkins to the Lecompte bank, presumably about the situation described in F-010 and F-012. The letter contains the name of Bass's employer and his location so that the bank has more information about how to track Bass down to force him to pay his debts.
D-MO1-F-015
An envelope addressed to Dr. W.E. Hawkins from the Yellowstone Park Association.
D-MO1-F-016
An envelope from the Burnham Soluable Iodine Company. The addressee is cut off.
D-MO1-F-017
A business card from W.T. Longnecker, a practical Optician. There is a note written on the back detailing instructions about where to place a cast for shipping. The notes does not appear to be from Longnecker; the person who received this card (Moresi?) must have written this note on whatever was nearby.
D-MO1-F-018
A letter from L. Perrin Jr. to Dr. Hawkins, requesting for medicine Hawkins gave him previously. Perrin asks Hawkins if it would be possible for him to send the medicine by mail since he is too busy to take time out of his schedule to collect them himself.
D-MO1-F-019
An envelope addressed to Dr. W.E. Hawkins. There is no sender listed on the envelope.
D-MO1-F-020
A letter to Dr. W.E. Hawkins from Monsieur(?) Harris. Harris writes about his Nannie, who previously had some issues with one of her eyes, but she is steadily recovering. Harris requests for Hawkins' presence when they travel to New Orleans to get Nannie a new pair of glasses.
D-MO1-F-021
A note from Dr. Francez, instructing the recipient to cash a payment of five dollars from an Adam Domingue.
D-MO1-F-022
A check from the Parish of St. Landry to Dr. Fredrick Vidrine for $34.25. The payment was for "furnishing(?) a vaccine."
D-MO1-F-023
A letter from Dr. Fred Vidrine and Ozeme Fontenot to certify that Adam Rideau cannot work due to chronic suppurative arthritis in his knee.
D-MO1-F-024
A letter to the St. Landry Parish Police Jury from Dr. Moncla, Louis Veillon Sr., A. Aucoin, and Sustie(?) Aucoin. The senders request help for an old blind couple, Mr. Mac Guillory and Mrs. Octatrice, who need assistance with guiding themselves.
D-MO1-F-025
A check of $2.10 from the estate of Erneste Guillory to a doctor to pay for medicine.
Daspit Images
I-DA1-1-101 Denise Fuselier, Lombard 12
I-DA1-1-102 Manor House, Lombard House (3)
I-DA1-1-103 Lombard house, Exterior
I-DA1-1-104 Lombard House, Exterior(2)
I-DA1-1-105 Lombard House, Exterior (3)
I-DA1-1-106 Lombard House, Exterior (4)
I-DA1-1-107 Parlange, New Roads, Cypress, mud & moss (bousillage), Built by Marquis Vincent de Tenent, Restored after WW I by M/M Walter charles Parlange
I-DA1-1-108 Influences- Parlange, New Roads Exterior Detail
I-DA1-1-109 Influences- Parlange, New Roads, Exterior general
I-DA1-1-110 Influences- Parlange, New Roads Exterior general (2)
I-DA1-1-111 Influences- parlange, New roads Exterior detail (2)
I-DA1-1-112 Parlange exterior detail Stairs
I-DA1-1-113 Parlange exterior
I-DA1-1-114 Parlange exterior (2)
I-DA1-1-115 Parlange exterior (3)
I-DA1-1-116 Parlange exterior (4)
I-DA1-1-117 Parlange exterior (5)
I-DA1-1-118 Parlange exterior (6)
I-DA1-1-119 Parlange exterior (7)
I-DA1-1-120 Parlange exterior Facade
I-DA1-1-121 Parlange exterior Rear
I-DA1-1-122 Influences- Parlange, new Roads, Exterior detail
I-DA1-1-123 Parlange exterior (8)
I-DA1-1-124 Parlange exterior (9)
I-DA1-1-125 Influences- parlange, new Roads, exterior detail corner
Daspit Images
I-DA1-4-051 Armand- Broussard, Exterior- Porch
I-DA1-4-052 Armand- Broussard, vermillionville, Exterior- Door
I-DA1-4-053 Armand- Broussard, vermillionville, Exterior- general (2)
I-DA1-4-054 Armand- Broussard, Exterior- Roof
I-DA1-4-055 Armand- Broussard, vermillionville, Exterior- Door (2)
I-DA1-4-056 Armand- Broussard, vermillionville, Barn
I-DA1-4-057 Armand- Broussard, vermillionville, Exterior- General (3)
I-DA1-4-058 Armand- Broussard, Exterior- Detail
I-DA1-4-059 Armand- Broussard, vermillionville, Exterior- Detail/ Shutters
I-DA1-4-060 Armand- Broussard, vermillionville, Exterior- Columns
I-DA1-4-061 Armand- Broussard, vermillionville, Exterior- Roof
I-DA1-4-062 Armand- Broussard, Exterior- Columns
I-DA1-4-063 Armand- Broussard, vermillionville, Interior- Barn
I-DA1-4-064 Armand- Broussard, vermillionville, Interior- Door
I-DA1-4-065 Armand- Broussard, vermillionville, Interior- Exposed Bousiliage
I-DA1-4-066 Armand- Broussard, vermillionville, Interior- Exposed Bousiliage (2)
I-DA1-4-067 Armand- Broussard, vermillionville, Interior- Fireplace
I-DA1-4-068 Armand- Broussard, vermillionville, Interior- Barn (2)
I-DA1-4-069 Armand- Broussard, Interior, Doors
I-DA1-4-070 Armand- Broussard, Vermillionville, Interior- attic Stairs
I-DA1-4-071 Armand- Broussard Vermillionville, loft in Barn
I-DA1-4-072 Armand- Broussard Vermillionville, Interior-Ceiling
I-DA1-4-073 Armand- Broussard, Vermillionville, Interior- Furnishings
I-DA1-4-074 Armand- Broussard, Vermillionville, Interior- Ceiling
I-DA1-4-075 Armand- Broussard, Vermillionville, Interior Stairs
Hoffpauir Images
I-HO1-168 Sleepy Hoffpauir overdubbing
I-HO1-169 16-Apr-76 Sleepy Hoffpauir and "Papa Cairo" (Julius Lamperez); Jessie's Tavern in Kemah, TX
I-HO1-170 16-Apr-76 Sleepy Hoffpauir, Jimmie Gardner and "Papa Cairo" (Julius Lamperez); Jessie's Tavern in Kemah, TX
I-HO1-171 16-Apr-76 Sleepy Hoffpauir, Jimmie Gardner and "Papa Cairo" (Julius Lamperez); Jessie's Tavern in Kemah, TX
I-HO1-172 16-Apr-76 Sleepy Hoffpauir, Jimmie Gardner and "Papa Cairo" (Julius Lamperez); Jessie's Tavern in Kemah, TX
I-HO1-173 Belton Richard
I-HO1-174 29-Feb-76 Ronnie Fruge Band, Ed Cary, Sleepy Hoffpauir; Lake Charles, LA
I-HO1-175 29-Feb-76 Ronnie Fruge Band, Ed Cary, Sleepy Hoffpauir; Lake Charles, LA
I-HO1-176 31-Oct-76 Sleepy Hoffpauir, Louis Foreman, Aldus Roger; Girard Park
I-HO1-177 31-Oct-76 Sleepy Hoffpauir, Claby Meaux, Merlin Fontenot; Girard Park
I-HO1-178 31-Oct-76 Claby Meaux, Sleepy Hoffpauir, Jimmy Hebert; Girard Park
I-HO1-179 31-Oct-76 Dewey Balfa & Balfa Brothers Band; Girard Park
I-HO1-180 28-Oct-76 Floyd's Records & Swallow Records Pressing Deptarment
I-HO1-181 28-Oct-76 Swallow Records Wrapping & Packaging Department
I-HO1-182 28-Oct-76 Floyd's Records Shipping Department
I-HO1-183 28-Oct-76 Sleepy Hoffpauir & Floyd Soileau signing record contract
I-HO1-184 28-Oct-76 Sleepy Hoffpauir & Floyd Soileau signing record contract
I-HO1-185 28-Oct-76 Ray Lafleur; Floyd's Records
I-HO1-186 Aug-62 Man Abshire, Johnny Credeur, Sleepy Hoffpauir, Rodney Miller, Belton Richard; Bayou Club
I-HO1-187 Aug-62 Man Abshire, Johnny Credeur, Sleepy Hoffpauir, Rodney Miller, Belton Richard; Bayou Club
I-HO1-188 6-Jan-85 Eddie Bodin, Ed Bodin, Harry "Jae" Courville, Sleepy Hoffpauir; Webster Del Cambre Paul's Lounge, Jeanerette, LA
Daspit Images
I-DA1-1-126 Influences- parlange, new Roads, exterior detail
I-DA1-1-127 Anon, Parlange plantation , pointe Coupee parish Mix, LA, facade, Property of Mrs. Walter charles Parlange
I-DA1-1-128 Influences- Parlange, New Roads Exterior grounds
I-DA1-1-129 Influences- Parlange, New Roads Exterior
I-DA1-1-130 Influences- Parlange, New Roads Exterior (2)
I-DA1-1-131 Influences- Parlange, New Roads, Exterior General
I-DA1-1-132 Parlange, New roRoads interior Detail
I-DA1-1-133 Anon, Parlange Plantation, Mix Pointe Coupee arish, la
I-DA1-1-134 Influences- parlange, New Roads, interior
I-DA1-1-135 Parlange, New Roads interior
I-DA1-1-136 Influences- Pointe coupee Museum interior detail
I-DA1-1-137 Influences- Pointe Coupee museum, Plan
I-DA1-1-138 Influences- Point coupee Museum interior detail (2)
Daspit Images
I-DA1-4-076 Armand- Broussard, Vermillionville, Floor
I-DA1-4-077 Armand- Broussard, Interior- Ceiling
I-DA1-4-078 Segura- Porter, St. Martinville, Exterior- Grounds
I-DA1-4-079 Segura Porter, Exterior- General
I-DA1-4-080 Segura Porter, Exterior- General (2)
I-DA1-4-081 Segura- Porter, St. Martinville, Exterior- Stairs
I-DA1-4-082 Segura Porter, Exterior- General (3)
I-DA1-4-083 Segura- Porter, St. Martinville, Exterior- Beams
I-DA1-4-084 Ronter- Segura
I-DA1-4-085 Legura- Porter, St. Martinville, Exterior- Side
I-DA1-4-086 Segura Porter, St. Martinville, Exterior- Side (2)
I-DA1-4-087 Segura- Porter St. Martinville, Exterior- Gable
I-DA1-4-088 Segura - Porter St. Martinville, Exterior- Facade
I-DA1-4-089 Segura- Porter, St. Martinville, Exterior- Facade (2)
I-DA1-4-090 Segura- Porter, St. Martinville, Exterior- Corner
I-DA1-4-091 Segura- Porter, St. Martinville, Exterior- Facade (3)
I-DA1-4-092 Segura- Porter, St. Martinville, Exterior- Facade (4)
I-DA1-4-093 Segura- Porter, St. Martinville, Exterior- Grounds (2)
I-DA1-4-094 Segura- Porter, St. Martinville, Exterior- Grounds (3)
I-DA1-4-095 Segura- porter, St. Martinville, Exterior- Grounds (4)
I-DA1-4-096 Segura- Porter, St. Martinville, Exterior- Corner (2)
I-DA1-4-097 Segura- Porter, St. Martinville, Interior- Furnishings
I-DA1-4-098 Segura- Porter, Interior- Furnishing
I-DA1-4-099 Segura- Porter, St. Martinville, Interior- Looms
I-DA1-4-100 Segura- Porter, St. Martinville, interior- Kitchen
Hoffpauir Images
I-HO1-189 6-Apr-75 Junior Martin, Allon Ardoin, Sleepy Hoffpauir, Geno Thibodeaux, Vernon Bergeron
I-HO1-190 6-Apr-75 Junior Martin, Allon Ardoin, Sleepy Hoffpauir, Geno Thibodeaux, Vernon Bergeron
I-HO1-191 6-Apr-75 Junior Martin, Allon Ardoin, Sleepy Hoffpauir, Geno Thibodeaux, Vernon Bergeron
I-HO1-192 6-Jan-85 Eddie Bodin, Ed Bodin, Harry "Jae" Courville, Sleepy Hoffpauir; Webster Del Cambre Paul's Lounge, Jeanerette, LA
I-HO1-193 6-Jan-85 Eddie Bodin, Ed Bodin, Harry "Jae" Courville, Sleepy Hoffpauir; Webster Del Cambre Paul's Lounge, Jeanerette, LA
I-HO1-194 12-Jan-85 Eddie Bodin, Ed Bodin, Harry "Jae" Courville, Sleepy Hoffpauir; Webster Del Cambre Sundowner Travelodge, Abbeville, LA
I-HO1-195 October, 1962 George Jones; Crowley, LA
I-HO1-196 23-Mar-84 Newspaper Clipping announcing benefit show for Leroy "Happy Fats" LeBlanc; Lafayette, LA
I-HO1-197 10-Mar-79 Darryl Choates, Craig Breaux, Sleepy Hoffpauir, Wes Reeves, Kim Brasseaux; VFW Hall in New Iberia, LA
I-HO1-198 27-Dec-75 Freddie & Bobby Charles; Boo-Boo's
I-HO1-199 27-Dec-75 Freddie & Bobby Charles, Sleepy Hoffpauir; Boo-Boo's
I-HO1-200 27-Dec-75 Freddie & Bobby Charles; Boo-Boo's
I-HO1-201 20-Aug-75 WBRZ Channel 2 Broadcast; Belton Richard, Sleepy Hoffpauir, Johnny Credeux, Rodney Miller; Baton Rogue, LA
I-HO1-202 20-Aug-75 WBRZ Channel 2 Broadcast; Belton Richard, Sleepy Hoffpauir, Johnny Credeux, Rodney Miller; Baton Rogue, LA
I-HO1-203 30-Jul-78 Earl Ball
I-HO1-204 30-Jul-78 Sleepy Hoffpauir, Willie Nelson band
I-HO1-205 30-Jul-78 Willie Nelson
I-HO1-206 30-Jul-78 Sleepy Hoffpauir, Willie Nelson band
I-HO1-207 30-Jul-78 Sleepy Hoffpauir, Willie Nelson band
I-HO1-208 April, 1969 Exterior of Midway Club Midway Club
I-HO1-209 11-Jun-78 Lawrence Saltzman, Larry Comeaux, Leo HeBert, Sleepy Hoffpauir
Moresi - Reaux Collection Scans (Folder G)
D-MO1-G-001
A fragment of an envelope from R.E. Oden M.D. The name of the recipient is cut off.
D-MO1-G-002
The latter half of a letter from Dr. R.E. Oden to a close acquaintance. In it he talks about what he has been up to, including talking with a "blushing young widow" quite often. He ends the letter with well wishes, and hopes the the recipient will visit for Christmas.
D-MO1-G-003
A letter from Dr. Childs to Mr. A.C. Skiles(?), forwarding a request from Mr. Richmond to send him "The Side Lights" and a transom by Childs' wagon. There is an additional note a the bottom from Childs, asking for 300 bricks.
D-MO1-G-004
A letter from W.E. Hawkins to a printing company, concerning a mistake on his part involving a book he recently published. He was accidentally overpaid, so to fix the issue, Hawkins offers to pay one of the fees immediately.
D-MO1-G-005
Another letter from Dr. Childs to Mr. Skiles. Childs is writing Skiles to order for 400 ft of pine wood that's 1x10 or 1x12 and 12ft long on one side. He also inquires about the status of his wagon, and requests for Skiles to call him on the phone as soon as it arrives.
D-MO1-G-006
A letter to the Moresi Foundry from W.A.(?) Haas, requesting for the foundry to take a look at a centrifugal he ordered because the spindle does not fit properly in the box it needs to be in. Moreover there also seems to be an issue with the machine's buttons.
D-MO1-G-007
The second page of G-006.
D-MO1-G-008
A letter from Dr. J.S. Branch to Dr. W.E. Hawkins. It is a reply to a previous letter about a business deal. Branch is anxious to sell his interest of a lot of land, so he requests for Hawkins to buy it from him. However, he stresses that this is a limited time offer as there are other parties interested in his shares.
D-MO1-G-009
Another letter from Dr. Banch which appears to be related to the situation in G-008. In it, Branch details how he and Hawkins bought a lot of land together to build a drug store there, but this plan fell through. Now, Branch is trying to get the money that Hawkins still owes him before taxes are due.
D-MO1-G-010
The second half of a letter from W.A. Quirk to someone he knows well. It seems in a previous conversation the recipient asked Hawkins about plant nurseries, and in this letter, Hawkins reccomends one ran by Old Yancy. Hawkins then wishes the recipient and thier family a Merry Christmas and Happy New Year.
D-MO1-G-011
A note written on the back of G-010 about the situation described in G-009 and G-008. Hawkins approached Quirk to sell him his share of the land in exchange for some cows. Quirk asks the recipient if this would be a good deal.
D-MO1-G-012
A letter from Dr. Quirk to Dr. Hawkins. The doctors plant to meet each other to either exchange or discuss something. Quirk notes that he will bring his wagon to this meeting.
D-MO1-G-013
The first page of a letter to Dr. W.E. Hawkins from Dr. Quirk. In the letter, Quirk announces to Hawkins that they will not see each other as often because he is getting married to a Miss. Sadie Gayle, who works as a high school teacher in Opelousas.
D-MO1-G-014
The second page of a letter, connected to G-015 It is from Dr. Quirk to an unknown recipient. It details his struggles with some the renters on his land because none of them are willing to clear out the boles in the field.
D-MO1-G-015
The third page of a letter, connected to G-014. It is from Dr. Quirk to an unknown recipient. On this page, Quirk implores the recipient to bring their family to visit him and his wife since they have not done so in a very long time.
D-MO1-G-016
The front of the first page of a letter from Dr. Quirk to Dr. Hawkins. In it, Quirk writes about some men he and Hawkins were interested in conducting a land deal with. He warns Hawkins about dealing with Mr. Goudchaux(?) and a Mr. H. since they are extremely shrewd businessmen who could take advantage of them.
D-MO1-G-017
The back of the first page of a letter from Dr. Quirk to Dr. Hawkins. In it, Quirk writes about some men he and Hawkins were interested in conducting a land deal with. He warns Hawkins about dealing with Mr. Goudchaux(?) and a Mr. H. since they are extremely shrewd businessmen who could take advantage of them.
D-MO1-G-018
The front of the second page of G-016. On this page, the conversation shifts to talk about a bank(?) note in Hawkins's posession, and how he could get the most out of it. Quirk mentions a man that had the same kind of note who sold it for $200, but he wonders if they could get an even better deal.
D-MO1-G-019
The back of the second page of G-016. On this page, the conversation shifts to talk about a bank(?) note in Hawkins's posession, and how he could get the most out of it. Quirk mentions a man that had the same kind of note who sold it for $200, but he wonders if they could get an even better deal.
D-MO1-G-020
The front of the third page of G-016. On this page Quirk tells Hawkins how he and his family is doing. He writes about his family and farm are doing well, but he has been quite busy since there was pneumonia epidemic in their community.
D-MO1-G-021
The back of the third page of G-016. On this page Quirk tells Hawkins how he and his family is doing. He writes about his family and farm are doing well, but he has been quite busy since there was pneumonia epidemic in their community.
D-MO1-G-022
Part of a letter from Dr. Quirk; the name of the recipient is not on the page. The page begins with Quirk writing about the cows he has sold recently, but he thens shifts the subject to deliver a request from a Mr. Brunson(?). Brunson wants to know if the recipient could pasture some cows for him.
D-MO1-G-023
The second page of the letter in G-022.
D-MO1-G-024
The first page of a letter from Dr. Quirk to Dr. Hawkins. In it, Quirk asks Hawkins to deliver a bill to a Mr. Millard. Millard asked Quirk to take care of his mother and promised to pay ten dollars of her bill, but now he's refusing to pay.
D-MO1-G-025
The second page of G-024. On this page, Quirk asks Hawkins about how he is doing, and he extends an invitation to Hawkins and his family to visit him.
Daspit Images
I-DA1-4-101 Segura- Porter, St. Martinville, interior- Kitchen (2)
I-DA1-4-102 Segura- Porter, St. Martinville, Interior- Furnishings (2)
I-DA1-4-103 Segura- porter, St. Martinville, Interior- Furnishings (3)
I-DA1-4-104 Segura- Porter, St. Martinville, Interior- furnishings (4)
I-DA1-4-105 Segura- Porter, St. Martinville, Interior- Furnishings (5)
I-DA1-4-106 Dulcito, Exterior- Corner
I-DA1-4-107 Dulcito, Exterior- Door
I-DA1-4-108 Dulcito, Exterior- Rear
I-DA1-4-109 Dulcito, Exterior- Corner (2)
I-DA1-4-110 Dulcito, Grounds
I-DA1-4-111 Dulcito, Exterior- General
I-DA1-4-112 Dulcito, Exterior- General (2)
I-DA1-4-113 Dulcito, Exterior- Porch
I-DA1-4-114 Dulcito, Exterior- Porch(2)
I-DA1-4-115 Dulcito, Exterior- porch (3)
I-DA1-4-116 Dulcito, Exterior- Porch (4)
I-DA1-4-117 Dulcito, Exterior- Porch (5)
I-DA1-4-118 Dulcito, Crawlspace
I-DA1-4-119 Dulcito, Grounds (2)
I-DA1-4-120 Dulcito, Exterior- Door (2)
I-DA1-4-121 Dulcito, Exterior- Door (3)
I-DA1-4-122 Dulcito, Exterior- Door (4)
I-DA1-4-123 Dulcito, Exterior- Corner (3)
I-DA1-4-124 Dulcito, Exterior- Side
I-DA1-4-125 Dulcito, Exterior- Side (2)
Hoffpauir Images
I-HO1-210 30-Dec-76 Rufus T, Kenny Kane, Will, Alex Broussard
I-HO1-211 November 29. 1975 Sleepy Hoffpauir
I-HO1-212 November 29. 1975 Sleepy Hoffpauir
I-HO1-213 Autograph of Ken and Bertha Meynard, for Sleepy Hoffpauir
I-HO1-214 Hank Thompson, Curley Lewis, Keith Coleman, Paul McGee, Curtis Potter, Bert Riveira
I-HO1-215 Sleepy Hoffpauir's Swallow Records LP record
I-HO1-216 Newspaper clipping reading "Sleepy Hoffpauir - The South's Finest Fiddler"
I-HO1-217 Undeveloped negatives: Hank Thompson, Sleepy Hoffpauir
I-HO1-218 14-Apr-87 Exterior of Four Seasons Lodge Four Seaons Lodge
I-HO1-219 "Happy Fats Day" Doc Guidry, Sleepy Hoffpauir, Tony Thibodeaux; American Legion, Rayne, LA
I-HO1-220 19-Mar-83 Leo HeBert, Vin Bruce, Sleepy Hoffpauir; Alex's
I-HO1-221 July, 1963 Vin Bruce, Tony Thibodeaux, Sleepy Hoffpauir
I-HO1-222 July, 1963 Vin Bruce, Tony Thibodeaux, Sleepy Hoffpauir
I-HO1-223 1947 Sleepy Hoffpauir at age 15
I-HO1-224 Man Abshire, Johnny Credeux, Sleepy Hoffpauir, Rodney Miller, Belton Richard, Tony Thibodeaux
I-HO1-225 Man Abshire, Johnny Credeux, Sleepy Hoffpauir, Rodney Miller, Belton Richard, Tony Thibodeaux
I-HO1-226 22-Jan-46 Sleepy Hoffpauir's first fiddle
I-HO1-227 Sleepy Hoffpauir, Wilfred Trahan
I-HO1-228 Sleepy Hoffpauir, Wilfred Trahan
I-HO1-229 28-Apr-86 Sleepy Hoffpauir performing at a Mardi Gras Dance; LSU-Eunice Ballron, Eunice, LA
I-HO1-230 March, 1962 Man Abshire, Johnny Credeux, Sleepy Hoffpauir, Rodney Miller, Belton Richard
Daspit Images
I-DA1-4-126 Dulcito, Exterior- Side (3)
I-DA1-4-127 Dulcito, Exterior- Corner (4)
I-DA1-4-128 Dulcito, Exterior- Corner(5)
I-DA1-4-129 Dulcito, Exterior- Side (4)
I-DA1-4-130 Dulcito, Exterior- Corner (6)
I-DA1-4-131 Dulcito, Exterior- Corner (7)
I-DA1-4-132 Dulcito, Exterior- Side (5)
I-DA1-4-133 Dulcito, Exterior- Facade
I-DA1-4-134 Dulcito, Exterior- Porch (6)
I-DA1-4-135 Dulcito, Exterior- Porch (7)
I-DA1-4-136 Dulcito, Exterior- Porch (8)
I-DA1-4-137 Dulcito, Exterior- Corner (8)
I-DA1-4-138 Dulcito, Exterior- Facade (2)
I-DA1-4-139 Dulcito, New Iberia
I-DA1-4-140 Dulcito, Exterior- Porch (9)
I-DA1-4-141 Dulcito, Exterior- porch (10)
I-DA1-4-142 Dulcito, Exterior- General
I-DA1-4-143 Dulcito, Exterior- Rear
I-DA1-4-144 Dulcito, Exterior- General (2)
I-DA1-4-145 Dulcito, Exterior- General (3)
I-DA1-4-146 Dulcito, Exterior- General (4)
I-DA1-4-147 Dulcito, Exterior- General (5)
I-DA1-4-148 Dulcito, Exterior- General (6)
I-DA1-4-149 Dulcito, Exterior- General (7)
I-DA1-4-150 Dulcito, Exterior- general (8)
Hoffpauir Images
I-HO1-210 30-Dec-76 Rufus T, Kenny Kane, Will, Alex Broussard
I-HO1-211 November 29. 1975 Sleepy Hoffpauir
I-HO1-212 November 29. 1975 Sleepy Hoffpauir
I-HO1-213 Autograph of Ken and Bertha Meynard, for Sleepy Hoffpauir
I-HO1-214 Hank Thompson, Curley Lewis, Keith Coleman, Paul McGee, Curtis Potter, Bert Riveira
I-HO1-215 Sleepy Hoffpauir's Swallow Records LP record
I-HO1-216 Newspaper clipping reading "Sleepy Hoffpauir - The South's Finest Fiddler"
I-HO1-217 Undeveloped negatives: Hank Thompson, Sleepy Hoffpauir
I-HO1-218 14-Apr-87 Exterior of Four Seasons Lodge Four Seaons Lodge
I-HO1-219 "Happy Fats Day" Doc Guidry, Sleepy Hoffpauir, Tony Thibodeaux; American Legion, Rayne, LA
I-HO1-220 19-Mar-83 Leo HeBert, Vin Bruce, Sleepy Hoffpauir; Alex's
I-HO1-221 July, 1963 Vin Bruce, Tony Thibodeaux, Sleepy Hoffpauir
I-HO1-222 July, 1963 Vin Bruce, Tony Thibodeaux, Sleepy Hoffpauir
I-HO1-223 1947 Sleepy Hoffpauir at age 15
I-HO1-224 Man Abshire, Johnny Credeur, Sleepy Hoffpauir, Rodney Miller, Belton Richard, Tony Thibodeaux
I-HO1-225 Man Abshire, Johnny Credeur, Sleepy Hoffpauir, Rodney Miller, Belton Richard, Tony Thibodeaux
I-HO1-226 22-Jan-46 Sleepy Hoffpauir's first fiddle
I-HO1-227 Sleepy Hoffpauir, Wilfred Trahan
I-HO1-228 Sleepy Hoffpauir, Wilfred Trahan
I-HO1-229 28-Apr-86 Sleepy Hoffpauir performing at a Mardi Gras Dance; LSU-Eunice Ballron, Eunice, LA
I-HO1-230 March, 1962 Man Abshire, Johnny Credeur, Sleepy Hoffpauir, Rodney Miller, Belton Richard
Cajun French Language Lessons by Shirley Abshire
Cajun French Lessons - Parts 1, 2, and 3.
Includes conversation and vocabulary
Cajun French Language Lessons by Shirley Abshire
Cajun French Language Lessons - Parts 4, 5, and 6
Musical Performance by A.B. Dugas and Henry Adams
Live performance at home - Accordion and Guitar
00:00 - Chère tout tout;
00:47 - Trampe sur la rue;
02:43 - T'es petite et t'es mignonne;
04:58 - Ossun two step;
06:15 - Jolie Blonde;
09:15 - La valse de Samedi soir;
11:35 - Hick's Wagon Wheel Special;
12:35 - La valse de Kaplan;
14:59 - Les flammes d'enfer;
Country songs - Guitar and Vocals
21:30 - Wild and Wicked World;
23:45 - Mom and Dad's Waltz;
26:40 - God Was So Good Because He Let Me Keep You;
Cajun French Language Lessons by Shirley Abshire
Cajun French Language Lessons - Parts 7, 8 and 9
Cajun French Language Lessons by Shirley Abshire
Acadia North and South - Zachary Richard interviewing Louis Michot
00:44 - Welcome to "La Roue qui pend" (The Hanging Wheel)
00:55 - Speaking about the survival of Louisiana's French language and how Louis Michot is helping to keep it alive
01:55 - The Louis Michot Regeneration (The Lost Bayou Ramblers playing "High Society")
03:00 - Zachary meets Louis and friends/family (Jon Bertrand, Andre Michot, Ashlee Michot)
04:42 - Zachary, Louis, and others start playing music
05:40 - Zachary asks Louis how important it is for him and the younger generation to keep Cajun French and music alive
06:09 - Louis singing with others playing in the background - Hick's Wagon Wheel Special
06:25 - Louis talks about his past with Cajun music and seeing its growing popularity
06:39 - Talks about the lyrics of Cajun French songs and what they mean to him and for others of Cajun descent
07:27 - Traveling to "La Roue qui pend" (The Hanging Wheel); La valse de Balfa in the background
07:47 - Shows the hanging wheel and explains what it was used for
07:54 - Louis talks about stories he has heard of "Cajun Gypsies"
09:15 - Zachary and Louis arrive at Ethel Mae Bourque's house (the woman who inspired Louis)
10:45 - Ethel Mae Bourque starts singing a song she wrote about Hurricane Andrew at the dinner table as the others listen and eat gumbo
12:15 - Scenes of flooding in the area
12:35 - Zachary asks Louis if preserving a pure version of Cajun French is important to him
13:59 - Louis plays the fiddle while Ethel Mae Bourque sings "La valse de Holly Beach"
15:23 - Louis talks about having friends that speak French with him and how he has to convince older Cajuns to speak French with him
16:39 - Louis playing and singing in the Blue Moon Saloon
16:55 - Louis talks about the singers that want to learn French to understand what they are singing
17:29 - Playing music at a crawfish boil
18:40 - Louis and his girlfriend (Now wife, Ashlee) talking about how French brought them together
21:00 - Georgette LeBlanc talking about life in Louisiana
Acadia North and South - Zachary Richard interviewing Raynald Basque
Episode 2: Raynald Basque - Chameleon Man - Hosted by Zachary Richard
00:45 - Zachary Richard begins by talking about Raynald Basque - He's a poet, singer, writer, songwriter, painter, screenwriter - Zachary calls him a "Jack of all trades."
02:45 - Rejean Comeau and Glenda LeBlanc describe Tracadie, New Brunswick;
03:04 - Group discusses what city to compare Tracadie to and how they preserve the culture, history, and language;
04:45 - Talks about how people thought they were crazy for wanting to fly the Acadian flag at town hall;
05:55 - Raynald points out a church that belonged to his ancestors and talks about his family history;
06:30 - Cases of Leprosy discovered in 1828;
07:15 - Raynald speaks about how he feels when he paints (footage of him painting);
08:11 - Raynald speaks of his ancestors;
09:55 - Raynald tries to define who he is and explains why people do not like him;
11:18 - Raynald singing at an outside venue;
13:00 - Zachary describes Tracadie as a very artistic city;
14:56 - Raynald diving for clams;
16:53 - Zachary and Raynald talk about the suffering of their ancestors; Raynold says the cases of Leprosy have always stigmatized the town;
18:00 - Raynald talks about the difference between his ancestors and their suffering and the artists that live in Tracadie now;
18:25 - Excerpt from "Liberateur Libere" Productions Cojak;
20:03 - Filming of "Les Bootleggers de l'Atlantique" Productions Cojak;
Acadia North and South - Zachary Richard interviewing Angus LeFort
Episode 3: Angus LeFort - Acadian Highlander Hosted by Zachary Richard
00:48 - Zachary Richard talks about the challenges that the Acadians faced after the deportation;
02:42 - Angus LeFort begins speaking about the land that his family lived on called "La Rigoueche"
04:08 - Angus stops at wayside signs that explain what the area called "Cap Rouge" used to look like and who used the land - The land was taken away from the familes to make a National Park;
04:46 - Angus describes how he uses history for the future, not to be stuck in the past;
05:50 - Zachary askes Angus what it means to be Acadian, Angus answers "It means being part of a large family that is spread all over"
06:50 - Shows the CKJM, 106.1 FM building;
07:12 - Talks about the Acadian fishermen;
07:25 - Zachary describes Angus as a "builder of culture," talks about how he owns and runs the community radio station;
08:18 - Shows a live show on the CKJM, DJ interviews Zachary Richard (talks about the connection between Nova Scotia and Louisiana);
09:20 - Zachary talks about recordings that Angus made of Father Anselme Chiasson - Angus has recorded him singing over 600 traditional Acadian songs;
09:50 - Walk-through of the museum gallery that's held in the radio building;
11:16 - Zachary gets a demo on how to crochet a rug;
12:31 - Footage from Angus' recording studio; Sylvia Lelievre recording a song;
14:59 - Begin talking about how many Acadians are in the area; 85% of the population here speak French
15:00 - Talk about the difference between an Acadian school and a Francophone school;
15:40 - Angus mentions that their community is the last who celebrate Mi-Carème due to their seclusion;
16:00 - Begins talking about Acadian families being displaced in order to make a National Park;
20:20 - Shows Angus and family sitting around the dinner table (family is described as another pillar of Acadian culture);
21:30 - Angus' children talk about the classes they'll be taking
Acadia North and South - Zachary Richard interviewing Sandra LeCouteur
Episode 4: Sandra LeCouteur - Island Girl - Hosted by Zachary Richard;
00:50 - Zachary Richard talks about the Acadians love for music;
03:10 - Zachary talks about Miscou being isolated from the rest of the world;
04:00 - Footage of Sandra LeCouteur recording a song;
04:48 - Footage of Sandra on a fishing boat with others;
05:30 - Zachary asks Sandra about her history with singing - She's been singing her whole life, but only recently started singing on stage;
07:18 - Zachary explains that Sandra is a good example of a Miscou girl and explains what that means - She's a mother, daughter, a dreamer, and is true to herself;
07:20 - Scenes of Sandra and her father, Hiran LeCouteur, digging for clams
09:50 - Sandra discusses her love of words and stories;
10:44 - Sandra recording a song - Zachary narrates and says that she never forgets where she comes from while singing;
11:26 - Sandra discusses the Miscou fog horn and how it sounds like it's in her song;
12:25 - Sandra talks about her sons and how, because of them, she stopped believing in organized religion
14:08 - Sandra singing in the Miscou church;
14:15 - Sandra explains that the church is the Miscou church and talks about her memories here;
14:50 - Sandra talks about singing and crying for all the ones that have died and are now buried in the church cemetery;
15:16 - Sandra sings the song that is sang at the end of all of the funerals ("Beautiful Heaven" / "Beau ciel");
17:35 - Explains how she feels when on stage; Footage from the recording studio;
20:31 - Footage from a clam bake, talking about her time at the lighthouse;
21:44 - Sandra singing while people eat and play music;
22:42 - Zachary speaks of Sandra and all of her good qualities
23:43 - Festival Acadien de Caraquet, August 2002 (Sandra singing on stage)
Acadia North and South - Zachary Richard interviewing Guy Côté
Episode 5: Guy Côté - Harbor Historian in Havre St. Pierre, Quebec - Hosted by Zachary Richard;
01:00 - Zachary Richard talks about the displacement of the Acadians over the years and how Guy Côté is interested in the history of what has happened to this group of people.
02:25 - Guy Côté in the tourism center at Havre St. Pierre;
02:40 - Zachary explains how St. Pierre got its name and how well Guy Côté knows his areas;
03:01 - Guy explaining to a family where to go to see certain aspects of the area (like where to go to see puffins);
03:12 - Guy explains to Zachary how village elders know certain things that younger people are not aware of (example - older people use American words because in the past French was not used as much as it is today. Younger people speak more fluent French, showing that Acadian culture is changing);
04:14 - Zachary talks about Perroquet Island and how the houses and lighthouse on the island mean a lot to Guy Côté. They are a driving force to his interest in the history of his people;
04:40 - Guy leads a tour explaining Placide Vigneault and his writings (he wrote about the lives of the Acadians and not just the deportation of them);
05:26 - Showing old pictures from the island and talking about families living there;
05:45 - Old picture of Placide Vigneault; Guy explains that Placide would keep old journals of life on the island (he would write about new bird species or the changing of fruits and vegetables that would grow in the garden; Placide's writings show the evolution of things and connect them to Acadian culture);
06:54 - Guy explains that without Placide and his writings, not much would be known about the day to day lives of the Cayens at Havre St. Pierre;
09:30 - Guy and Zachary go searching for clams while Guy explains how the Acadians from Quebec (Cayans) are looked at as different by other Quebecois people;
12:38 - Guy talks about the survival instinct way of life that still lingers from the old days;
12:48 - He talks about the sharing of wealth to help each other out with everything from giving something to eat to moving into a new apartment together;
15:26 - Guy and Simone Misson sing and talk about songs from their childhood;
17:40 - Guy explains that every person feels the need to fit into a group that is not just the familial group;
19:00 - Guy leads a tour and points out interesting rock formations and relates them back to the Acadians
21:56 - Group singing; in a kitchen and serving a meal;
22:48 - Zachary thanks Guy Côté for allowing him into his community;
Acadia North and South - Zachary Richard interviewing J.P. LeBlanc
Episode 6: J.P. LeBlanc - Go, Johnny Go...Hosted by Zachary Richard;
00:46 - Zachary Richard explains that Acadie should not be simplified into a stereotype; he introduces J.P. Leblanc as a lover of blues
in Bathurst, New Brunswick;
02:27 - Zachary describes how most kids do not know what they want from life - At 19 but J.P. is different. He has a passion for music;
03:21 - J.P. explains how he started off with music, where his interest with blues came from, and musicians he liked;
05:22 - Footage of J.P. with his band;
06:25 - Zachary and J.P at the venue - discusses how J.P.'s life revolves around playing the guitar;
07:08 - J.P. talks about his history with the guitar and his first show;
07:44 - Talking about his band and how he thought if he played guitar, he needed to write his own original songs;
09:49 - J.P.'s dad, André Leblanc, talks about J.P. and his music;
10:52 - André talks about how J.P.'s style is always changing;
12:11 - J.P.'s relationship with his family; Zachary asks if J.P. considers himself Acadian and what he thinks it means to be Acadian;
13:40 - J.P. discusses his different taste in music that he's had for a while
14:40 - Zachary talks about how lucky J.P. is to have his father by his side the whole way through
16:15 - André talks about how he thinks J.P. is following his (André's) dreams of playing music and playing the guitar
19:00 - J.P. and André load up the truck and drive to a show
Acadia North and South - Zachary Richard interviewing Jimmie Meaux
Episode 7: Jimmie Meaux - Cowboys 'n Cajuns - Narrated by Zachary Richard
00:55 - Zachary Richard describes how Cajuns are often farmers and ranchers, like Jimmie Meaux;
02:30 - Zachary explains that Jimmie is a fast talker - visiting with people in the grocery store;
03:40 - Jimmie has been a cowboy his whole life. He tells a story about how he was born in the flood of 1940;
05:07 - Zachary explains that below Jimmie's tough exterior there is a softer side
06:23 - Jimmie thinks that the Cajun culture in Louisiana will not last much longer. He talks about teaching his kids and grandson French
07:29 - Jam footage from the Blue Moon - Jimmie sings "La porte d'en arrière. Talks with Ms. Jan Boney;
08:50 - Footage of Jimmie working with his herd of cattle;
10:45 - He discusses they way he raises cattle and how people have told him that it is the future of the industry;
13:25 - Jimmie demonstrates how his horse is trained and explains his methods;
14:15 - Zachary explains that cattle vaccination season is most important for Jimmie;
14:21 - Jimmie and helpers herding the cattle to vaccinate them;
15:50 - Jimmie demonstrates how to worm the cattle;
16:55 - Jimmie discusses how certain color cows sell for more than others;
18:48 - Zachary asks Jimmie if he thinks that there is a future for ranching and farming in Louisiana;
20:46 - Zachary playing and singing with others while other people eat;
21:19 - Jimmie starts singing while Zach and others play;
Acadia North and South - Zachary Richard interviewing Jeannot Painchaud
Episode 8: Jeannot Painchaud - Ladies and Gentlemen...Kids of all Ages...Hosted by Zachary Richard;
02:25 - Zachary explains that Jeannot left home to find adventure - he is now part of the circus and is always traveling;
05:32 - Shows some of the acts practicing; Jeannot explains why he joined the circus;
07:13 - Zachary explains how Acadians ended up on the Magdalen Islands
08:14 - Man explains the name of the circus "Le Cirque Éloize"
08:58 - Jeannot explains his experience with the circus and what it is like performing in a big top;
10:11 - Shows his trailer with his family inside; he talks about how most Magdalen families have musicians;
11:26 - Lucie Cauchon explains that music for a circus is different than regular music;
12:17 - Jeannot explains how practice is different from the actual performance;
13:20 - Ginette Painchaud talks about the performers and how they basically get to remain children by having fun with what they do;
14:21 - Zachary talks to Jeannot about how he identifies himself;
15:55 - Zachary talks about Jeannot's ties to his children and how his Acadian roots make it hard for him to be away from his family;
16:52 - Jeannot talks about being a father and being available for his children;
18:23 - Ginette talks about islanders showing up late to the show;
19:00 - Footage from before and during the show;
23:02 - Zachary talks about the people of Magdalen Islands being distant but welcoming;
Acadia North and South - Zachary Richard interviewing Carol Fran
Episode 9: Carol Fran - Bury My Heart with the Blues - Hosted by Zachary Richard
00:50 - Zachary Richard explains that the careers of many musicians started in Crowley, Louisiana, including that of Carol Fran;
02:15 - Zachary talks musicians who suffered and used that pain to inspire their music;
02:51 - Footage of Carol getting ready in her room;
03:30 - Carol singing "Mon coeur est casser" and playing piano;
04:39 - Carol says her mother played piano. There was a piano in her home growing up;
05:00 - Carol talks about the custom of burying a baby's umbilical cord under a rose bush and the baby becoming a musician or singer;
05:59 - Carol Fran singing "Emmitt Lee" (1958) (shows Carol arriving at the old KRVS studio) Speaking with Zydeco Joe Citizen, John Broussard, and Melvin Cesar;
06:49 - Melvin Cesar interviewing Carol Fran on KRVS show;
06:57 - Carol discusses when she started singing, Carol singing "On the Battlefield for My Lord;"
07:14 - Images of Laural Valley Plantation located in Thibodaux, LA
07:47 - Carol singing in the KRVS studios;
08:03 - Zachary explains that Carol sings it all but she started with gospel music;
09:08 - Zachary talks to Carol about her childhood and her mother letting her sing in other places besides church to make money;
10:05 - Carol Fran singing "I'm Gonna Try" (1965);
10:17 - Carol and friend, Willis Constantin, talk about getting old and old recipes;
12:13 - Carol Fran singing "Knock Knock" (1959);
12:23 - Zachary talks to Carol about her neighborhood and if a lot of French was spoken when she was young;
13:04 - Carol talks about if her parents spoke French or not when she was young;
13:10 - Discussing how French and Creole language was different from town to town;
13:49 - She talks about being able to tell the difference between the two languages;
14:24 - Carol talks about taking care of her sister's son along with the rest of her family after her father died;
17:22 - Carol Fran singing at the Cruiser's Club in Lafayette, LA;
18:53 - She speaks about her family and their skin color. (She recounts about by called "pickaninny" by her cousins because of her dark skin);
20:38 - Carol Fran singing "Crying in the Chapel" (1965);
21:05 - As she walks through a cemetary she talks about the death of her loved ones;
22:55 - Zachary thanks Carol for everything she has done in her life;
Acadia North and South - Zachary Richard interviewing Marc Cormier
Episode 10: Marc Cormier - In God's Country - Narrated by Zachary Richard
00:50 - Zachary Richard explains that even though the Acadians were pushed to the edge of the world, people like Marc Cormier fight to keep the culture alive;
02:29 - Zachary talks about how Cape St. George is so much like Louisiana with the Acadian Culture at risk because of assimilation;
04:10 - Zachary and Marc walk to "La Grosse de Reblais," Marc tells Zach stories of his father climbing down the steep cliffs to gather seagull eggs for breakfast;
05:40 - Marc talks about teaching kids at school about the Francophone and Acadian Culture and hoping to instill a pride in them;
06:27 - Leon Dube singing a French ballad;
07:01 - Older people in Newfoundland feel alone because they are some of the last people that speak French (Zach relates this back to Louisiana);
07:56 - Arthur Kurfant talks about having 22 siblings. During his father's time, everyone spoke French. That's no longer the case;
09:39 - Marc speaks with Emmanuel Simon about his reasons for staying on the Cape instead of leaving like everyone else;
10:48 - Zach explains another common trait between Louisiana and Newfoundland - the people of each area are fighting to keep their culture alive;
11:28 - Marcella Cormier talks about being a minority because of the way they speak French and English
12:17 - Marc talks about a professor that came to Newfoundland to study their dialect. When the professor told Marc that the language they had was special, Marc knew that he had to do something to preserve it;
13:25 - Marcella talks about the traumatic experience of going to an English school;
15:11 - Zach says it's up to the children to keep the language going (most of the children speak English at home and between themselves. They only get French if they attend the French speaking school);
15:58 - Marc talks about his daughter, Marcella, in a proud way. He explains that he loves that she follows in his footsteps to hopefully keep the French language going in their area;
17:35 - Zach speaks with children about assimilation (whether they speak French or English at home or with their friends);
19:53 - Marc talks about his people being in Newfoundland for over 500 years;
20:50 - Marc and Zach talk about music in the area. Young people do not really play instruments - but Marc is trying to implement a music program into schools;
Acadia North and South - Zachary Richard interviewing Ophelia Lefort
Episode 11: The Treasures of Ophelia Lefort
00:54 - Zach talks about stories of pirates and treasure that Ophelia Lefort's father would tell her when she was younger;
02:00 - Zach talks about the land that Ophelia lives on and how it's filled with treasures of all kinds;
02:38 - Zach and Ophelia talk about where she was born and raised - Larose, Bayou Lafourche;
03:00 - She talks about her parents and how they never spoke English - she says they felt inferior because they couldn't speak English;
03:46 - She first came in contact with English in school (she discusses being punished for speaking French in school);
04:49 - She discusses only being able to speak French, she cannot read or write it;
05:41 - Zach talks about Ophelia with her friends and family. Discusses her stockpile of cypress knees that she makes into art;
06:12 - Ophelia and her friend, Millie Gisclair, discuss how to prepare the knees to be painted;
07:37 - Zach talks about the Chêne à Caouenne (Caouenne's Oak) in Golden Meadow, LA - Gathering place for people to tell stories;
09:00 - Woman shows a painting of a group of people sitting around the Chêne à Caouenne by Delores Granger;
09:38 - Group exchanges stories about their weddings and marriages;
11:13 - Ophelia talks about always wanting to better herself and to do better than her siblings (that included being bilingual);
12:18 - She talks about moving to Lafayette in 1946 and 1947 and loving it because more people spoke French there;
14:21 - Zach talks about when Ophelia was a child. She, with other, would run down to the dock where the grocery boat was and the sailors would throw treats over to the kids. Now those kids are grown up but they still enjoy taking trips down that bayou;
14:59 - Ebdon Barrios talks the area being a melting pot of people and culture. He says that it is due to Jean Lafitte;
15:59 - Former Sheriff Duffy Breaux explains that even though there are a lot of different people in the area French remained the main language because of a lack of education within the immigrant communities;
16:17 - Ebdon explains that when he started school he did not know a word of English and that he was forced to learn the language;
17:47 - Zach and Ophelia talk about her father telling stories and how the gift was passed down to her;
18:00 - She tells a story that her father told her about Jean Lafitte;
19:18 - Ophelia's father would sing to her - she sings a part of a couple of the songs;
20:01 - Ophelia standing next to the Jean Lafitte Oak. She talks about treasure that is supposed to be buried under the tree;
20:54 - She starts about painting and how peaceful it can be;
21:47 - Woman starts singing an old French song;
22:30 - Zach talks about how the tree itself is a treasure no matter what or who is buried under it;
Acadia North and South - Zachary Richard interviewing Bernard Landry
Episode 12: Bernard Landry's Natashquan - Narrated by Zachary Richard
00:52 - Zachary explains that the Acadians are a people of words, no matter written, spoken, or through song. Bernard Landry is one of those people that keeps his culture alive by writing down the words of his ancestors for future generations;
02:36 - Zach explains the meaning of Natashquen - A place where bear are hunted. He explains that now, the land is not as bountiful;
03:22 - Zach and Bernard talk about memory of their forefathers being the only thing left and how important it is to preserve that for future generations;
03:29 - They point out the bay where all of the fishermen would come and dock their boats to unload. Zach and Bernard also discuss what was done to the fish and how it was a big event when the boats docked;
04:48 - Bernard shows Zach a building where fishing materials would have been stored;
05:10 - Zach talks about how these shacks mean so much to people of Natashquan, but that it takes more than memory to keep a culture alive,
05:48 - Zach and Bernard walk through the interpretive center that was built and run by Bernard. In the center, one sees the past of the fishing industry of the area and the memories of the people that lived there;
07:09 - Zach talks about how hard it is to tune instruments in the climate of Natashquan;
07:51 - Zach speaks with and plays music with Herménégilde Vigneault;
09:23 - Bernard talks about loving the people of his town and his culture. He gets stories from the people so that he can exhibit them for others to learn from the stories;
09:48 - Zach talks about the difference between Louisiana music and the music of Natashquan and also the difference between the accents when speaking French;
11:33 - At night all of the people come together to share their music. The place is full of life which is different than how it looks during the day;
13:00 - Bernard talks about the pride in the Acadian culture and how he hopes that even with so few jobs in the area, it will become wealthy again;
15:02 - Jean-Claude Landry points out where the Acadians landed 150 years ago;
16:35 - Even though the Acadians all landed in different areas, two things remain the same - hospitality and the love of good food;
17:26 - Jean-Claude shows Zach how to eat crab legs;
18:25 - Jean-Claude tells the story of seeing a whale when he was out fishing;
22:50 - Zach and Bernard arrive at a home for a meal, Zach starts talking about how welcoming the people are and how it reminds him of his family;