Midiyanto & the UL Lafayette World Percussion Ensemble:

00:00:00 -Continues to talk about how pieces are written; importance of the Gong
00:00:58 - The meaning of Colotomic
00:02:35 - Gamelan tonic, and how the tonic of this song is 6; and how different songs are named different things
00:06:55 - Understanding the whole piece as well as the instrument to understand the mode
00:08:00 - How traditional Gamelan players don’t think about mode; as well as traditional players relationships with scholars
00:10:35 - Fully understanding and doing research on the things you’re talking about

00:13:00 - How each instrument should be hit
00:13:55 - Midiyanto starts the piece from the beginning
00:18:14 - Dynamic changes
00:20:39 - Transition changes
00:25:05 - Ladrang with 32 beats per gong

00:26:07 - Four lines of eight beats, two measures in each line. Kenong on every 8th beat
00:27:49 - Written diagram and representation of the song
00:31:31 - The main melody and instructs a single student to double the melody
00:34:53 - All the students play
00:36:22 - The Colotomics of this song

00:39:18 - Midiyanto individually instructs specific parts and answers student questions
00:43:27 - Everyone plays together
00:44:12 - How to play different strokes
00:45:05 - The Pathet for drums
00:46:12 - Drums in context of song

00:47:22 - Everyone plays with the addition of a drum
00:48:27 - Faster tempo
00:49:27 - Tempo of certain parts
00:52:42 - Midiyanto talks about Irama {cont.}
01:00:21 - Midiyanto talks about the different groups who play in Indonesia
{end - Part 2}