Rod Bernard:

-00:00 - Background information
-00:50 - Early musical influences, First guitar paid for by picking and shelling pecans
-02:30 - Playing on an amateur radio show - Sponsored by Red Bird Sweet Potatoes
-04:25 - Upgraded to a Harmony brand guitar
-05:40 - Musicians getting their starts very early in life
-05:30 - Playing with the Twisters - Mike Genovese, "This Should Go On Forever"
-07:45 - Bobby Charles influence on Rob
-09:30 - Working at KSLO after school in high school
-11:40 - Guitar Gable and Bernard Jolievette "King Karl" - Recording "This Should Go On Forever" for Excello
-14:30 - Recording "This Should Go On Forever" - released on Jin
-15:30 - J.D. Miller recording songs and sending them to Excello to release what they felt would sell well
-18:50 - Cashbox and Billboard reviews of "This Should Go On Forever"
-19:45 - Chess Records, promotion of the record
-24:45 - Bill Hall - Managing Rod
-27:45 - Recording in Nashville - Cliff Parmon, Boots Randolph, The Jordanairs, Grady Martin
-29:40 - Cutting "Colinda" at Bill Hall's studio, Sold 40,000-50,000 copies
-30:45 - Jack Clement - producer and engineer - adding a rock 'n roll feel to Cajun songs
-31:35 - "Fais do-do"
-32:45 - Rod didn't want to cut "Colinda" - a lady across the street from the studio helped him with the French words
-33:50 - Kids being punished for speaking French at school. Rod never learned French when he was young, popularity of Cajun music over the years
-36:50 - Never wanted to play music for a living
-38:00 - Working at KLFY - Writing and producing tv commercials
-41:08 - Rod's "comeback;" Making a Country "flavored" album
-42:40 - "Sometimes I Talk in my Sleep"