Center for Louisiana Studies Archival Catalog
This searchable database provides information on images, documents, and audio and video recordings, made between 1934 and the present.
Interview with Amos Simpson
Dr. Amos Simpson:role of women; bombing of ROTC building at USL; Cajun hippies; students cheating on tests; growth of ULL and Lafayette in 1960s; Oil CenterMarvin Ducote:speaking French in primary school; bilingual family; military service; culture shock; ÒcoonassÓ; Vietnam protestDUPLICATE OF BE1.085
Interview with Marvin Ducote (cont.); Tom Pears
Marvin Ducote:hippies/protesters; atomic safety; communism lectures; basic training; Lithuanian serviceman; getting a television; French/local programming on t.v.Tom Pears:mother in radio; moving to Texas and back; GI bill; getting a job at KVOL; making connections; furniture salesman (inaudible); the Declouets build KLFY TV
Interview with Tom Pears (cont.)
working at KLFY TV; radio; baseball; broadcast towers/antenna; KPEL; Bill Patton; KVOL set up/live shows; Crossroads Jamboree; nonmusical French programming
Interview with Tom Pears (cont.)
unknown woman:PearsÕ desire to represent area on TVTom Pears:politicking; local programming; the business of television; Jim Olivier; French/English/music programming; plant lady; Floyd Cormier and Jim Olivier; (inaudible)
Interview with Tom Pears (cont.)
Happy Fats; feuds; news programming
Interview with Tom Pears (cont.)
unknown woman:PearsÕ desire to represent area on TVTom Pears:politicking; local programming; the business of television; Jim Olivier; French/English/music programming; plant lady; Floyd Cormier and Jim Olivier; (inaudible) DUPLICATE FILE OF BE1.090
Interview with Tom Pears (cont.)
Happy Fats; feuds; news programmingDUPLICATE FILE OF BE1.091
Interview with Raymond Blanco
USL ROTC bombing; context of the 1960s; people involved in bombing; racial tensions; integration in sports; KKK; Cajun hippies; flag protests; killing the ÒfamilyÓ;
Interview with
flooding; bad roads; speaking French; bomb shelter, targets for bombs; meteor crash in Vermilion Bay; military;
Interview with Barry Jean Ancelet
Cajun revival; two movements; Jimmy Domengeaux; CODOFIL; genteel Acadians; DomengeauxÕs efforts;fighting with the organization; French education; following the civil rights movement;
Interview with Barry Jean Ancelet (cont.)
Jimmy Domengeaux; problems with French education; genteel Acadians and Cajun music; Dewey Balfa changes DomengeauxÕs mind; the Faulk issue; Cajun French; bilingual education
Interview with Barry Jean Ancelet (cont.)
organizing the Cajun music festival; the first festival; getting the public involved in the revival; moving the festival to the park; Festival Acadians
Interview with Barry Jean Ancelet (cont.); and Carl Brassueax
Barry Ancelet:joining the French speaking world; writing system; bias against Cajun French; Lomax; Picard and Clifton try to get Cajun French into LSU; Voorhees; David Marcantel; people and problems; workning for CODOFIL; DomengeauxCarl Brasseaux:Cajuns in the 1960s; race and politics; bussing; Cajuns and FDR; Truman; religious divide; climate of the South; Jimmy Carter; Ronald Reagan; CarterÕs administration; populism; Cajuns as socially conservative; David Duke
Interview with Carl Brasseaux (cont.)
Cajuns and FDR; Truman; religious divide; climate of the South; Jimmy Carter; Ronald Reagan; CarterÕs administration; populism; Cajuns as socially conservative; David Duke
Interview with Carl Brasseaux (cont.)
Cajun/French relations; images of Cajuns in the media; tourism; culture for sale; CODOFIL and Edwin Edwards; war protests;
Interview with Richard Guidry
CODOFIL; French education; French immersion; language retention; French teachers
Interview with Richard Guidry (cont.)
Louisiana education system; learning a second language; French/ Spanish immersion; building programs; influential persons in immersion movement; Hawaiians;
Interview with Richard Guidry (cont.)
immersion in middle school; monetary allocations; bilingual advantage; FBI; Cajun French; Philippe Gustin
Interview with Richard Guidry (cont.); Johnnie Allan
Richard Guidry:learning Cajun French from parents; eating turtlesJohnnie Allan:Polycarp theme song
Interview with Allen J. Lasseigne
make up of Battalion; Robert Mouton; joining the Battalion; two platoons; training; Pearl Harbor; heritage; Pearl Harbor; Panama; appealing to Cajun pride; ethnicity of members; battalion vs. brigade; Catahoula training; legitimacy of battalion
Interview with T. K. Hulin
birthday; early recordings; Huey Meaux; recording for other labels; T. K.Õs Nightclub; Boure label; Smoke; Charlene Howard; nicknames;
Interview with Warren Perrin
petition to have Queen Elizabeth apologize for Acadian expulsion; England apologizes for other things; three things petition calls for; letter form the IRA; conference; file repeats
Interview with Philippe Gustin
moving to Louisiana to teach French; Belgians; working with CODOFIL; Jimmy Domengeaux; other teachers imported by CODOFIL; Cajun French; controversy; Domengeaux redeems himself; training Louisiana teachers; CODOFILÕs international ties; evaluating the program; immersion programs; success of immersion in Lafayette; statewide goals; older programs to save Cajun French; Raymond Rogers; Rogers/Domengeaux relationship; becomming director of CODOFIL; Claire Heymann; directors;
Interview with Philippe Gustin
being director of CODOFIL; Bertrand; CODOFIL under different directors; stepping down; Arlene Broussard; ÒcoonassÓ; Cajun shame; French presence in Louisiana; future of the Cajuns;
Interview with Edgar Mouton
founding of CODOFIL; McKithen Ôs support; culture catches on; petition/resolution; negative campaigns; conflicting data about resolution; Raymond Rogers; group effort; CODOSPAN; correspondence with McKithen; Beaujolais; money for French education; different strategies; Cajun French dilemma; Jimmy DomengeauxÕs career; postwar Cajun culture
Moondog Matinee - Tall Tom's Radio Show on WESU
Moondog Matinee - Tall Tom's Radio Show on WESU
***Recording date unknown***
-Unknown song;
-"Don't Wave Goodbye" - Gene Faulk
-"Loneliest Man in the World" - Willie Mallory
-"I'm a Country Boy" - Iry Lee Jackson
-"Bye-bye, Little Angel" - Elton Anderson
-Tall Tom - radio banter
-"Highway Zydeco" - "Bon Temps" St. Marie
-"You're No Longer Mine"
-"Lean on Me" - Willie Mallory
-Tall Tom - radio banter
-"My Little Angel" - The Royal Jokers
-"Do the Best You Can"
Moondog Matinee - Tall Tom's Radio Show on WESU
-Unknown Song - Little Junior Parker
-"It's Alright" - Unknown artist
-"I Love You So" - Elton Anderson - Lanor Records recorded at Cosimo's Studio
-"Love Repairman" - Donald Jacob
-"Little Honey" - Marvin and Johnny
-"Hot Hot Lips" - Ralph Prescott
-"House of Love" - Henry Hall and the Bellaires
-"Move on Down the Line" - unknown artist
-Unknown song - Earl Bostick
Moondog Matinee - Tall Tom's Radio Show on WESU
-Tall Tom - Introduction
-"Do You Remember Me" - Jimmy Donley
-"Gee Baby - Heartbeats
-"Blow Wind, Blow" - Frankie Four and the Heartbeats
-Tall Tom - radio banter
-"The Ending of Love" - The Heartbeats
-"Love Letters" - Huey Smith and the Clowns
-"Baby, You're so Fine"
-"Baby Won't You Turn Me On"
Moondog Matinee - Tall Tom's Radio Show on WESU
-"Baby You're So Fine" - Bobby Day and Willie Dixon
-"Every Once In A While" - Huey Smith and the Clowns
-Tall Tom
-"At the Mardi Gras" - Huey Smith and the Clowns
-"Sack Dress" - Lloyd Price
-"I'm Boss"
-"Come on Home" - The Bellaires
-"Baby You Belong to Me" - Huey Smith and the Clowns
-"Driftin' Charlie"; unknown song
-unknown song
Compilation of Rod Bernard Recordings
Correspondence enclosed with cassette dated January 21, 1991 from Shane Bernard to Larry Benicewicz
-00:00 - "Southland" - The Boogie Kings;
-02:15 - "Lost Love" - The Boogies Kings;
-05:00 - "Jambalaya" - Rod Bernard;
-07:00 - "Linda Gail" - Rod Bernard and the Twisters;
-09:13 - "Little Bitty Mama" - Rod Bernard and the Twisters;
-11:45 - "Set Me Free" - Rod Bernard and the Twisters;
-15:04 - "All Night in Jail" - Rod Bernard and the Twisters;
-17:35 - "A-2-fay" - The Shondells;
-19:53 - "Boo-ray" - The Shondells;
-22:35 - "Dear Buddy" - Rod Bernard;
-25:25 - "Just a Little" - Rod Bernard;
-27:45 - "Who Knows" - Rod Bernard;
-30:14 - "Lonely Hearts Club" - Rod Bernard;
-32:38 - "Little Mama" - Rod Bernard;
-35:05 - Cowboy Stew band rehearsal - Lil Buck Senegal on guitar, C.C. Adcock on guitar, Larry Jolivette on bass, Nat Jolivette on drums - "Baby, What you Want Me To Do," "Good Hearted Woman"
Interview with Rod Bernard
Rod Bernard:
-00:00 - Getting started with Mercury records
-01:00 - "This Should Go On Forever" - Floyd Soileau not being able to keep up with orders
-02:00 - Working with Huey Meaux on distribution of "This Should Go on Forever;"
-04:00 - Management contract with Bill Hall, discussion about Bill's various music business endeavors. Hall Records; Mentions of J.P. Richardson "The Big Bopper,"
-08:40 - Recording for Argo Records
-12:00 - Recording with Johnny and Edgar Winters
-14:40 - Beginning work at KVOL
-16:40 - Cutting "Colinda" for Bill Hall - discussing the successes of the record
-18:30 - Discussing the title "Swamp Pop" - John Broven
-19:15 - The Shondells with Skip Steward and Warren Storm, Carol Rachou, La Louisianne Records
-20:50 - Jimmy Donley
-23:15 - Discussion about drug abuse, burnout and retiring from performing
-25:00 - Discussing his tenures with KVOL and KLFY
-27:00 - "Boogie in Black and White" - album that Rod made with Clifton Chenier; Discussing Clifton's music and style
-30:00 - Returning to part-time public performances and potentially recording again
-37:00 - Awards - One award at Acadian Village, One award from the Times of Acadiana
-39:20 - Arbee Record Lable - Label that Carol Rachou and Rod made together
-42:45 - Going into treatment for substance abuse
-44:00 - Discussing his job at the station
Interview wth Rod Bernard
Rod Bernard:
-00:00 - Background information
-00:50 - Early musical influences, First guitar paid for by picking and shelling pecans
-02:30 - Playing on an amateur radio show - Sponsored by Red Bird Sweet Potatoes
-04:25 - Upgraded to a Harmony brand guitar
-05:40 - Musicians getting their starts very early in life
-05:30 - Playing with the Twisters - Mike Genovese, "This Should Go On Forever"
-07:45 - Bobby Charles influence on Rob
-09:30 - Working at KSLO after school in high school
-11:40 - Guitar Gable and Bernard Jolievette "King Karl" - Recording "This Should Go On Forever" for Excello
-14:30 - Recording "This Should Go On Forever" - released on Jin
-15:30 - J.D. Miller recording songs and sending them to Excello to release what they felt would sell well
-18:50 - Cashbox and Billboard reviews of "This Should Go On Forever"
-19:45 - Chess Records, promotion of the record
-24:45 - Bill Hall - Managing Rod
-27:45 - Recording in Nashville - Cliff Parmon, Boots Randolph, The Jordanairs, Grady Martin
-29:40 - Cutting "Colinda" at Bill Hall's studio, Sold 40,000-50,000 copies
-30:45 - Jack Clement - producer and engineer - adding a rock 'n roll feel to Cajun songs
-31:35 - "Fais do-do"
-32:45 - Rod didn't want to cut "Colinda" - a lady across the street from the studio helped him with the French words
-33:50 - Kids being punished for speaking French at school. Rod never learned French when he was young, popularity of Cajun music over the years
-36:50 - Never wanted to play music for a living
-38:00 - Working at KLFY - Writing and producing tv commercials
-41:08 - Rod's "comeback;" Making a Country "flavored" album
-42:40 - "Sometimes I Talk in my Sleep"
Interview with Floyd Soileau
Floyd Soileau:
-01:45 - Changes in the recording industry
-02:10 - Floyd's relation to Leo Soileau
-02:30 - Speaking about the town of Ville Platte
-03:45 - How Floyd got involved in recording - started out as a disc jockey with KVPI, opening a record store
-04:30 - Cajun records got Floyd into making recordings (1957); First recording was made at a house party
-05:20 - First Swamp Pop recordings - Boogie Kings, Rod Bernard and the Twisters, Tommy McLain
-06:55 - Rockin' Sidney - sent to Floyd from Eddie Shuler
-08:00 - Early label - VeePee, Forming Swallow, Jin, Maison de Soul
-11:30 - Dave Allen - releasing his album
-14:20 - Johnny Winters, Sessions he was involved in at Bill Hall's studio
-17:00 - artists breaking contracts
-18:45 - Dego Rutledge - Bobby Charles recording for him
-20:40 - Jivin' Gene
-22:00 - Floyd's recording studio - Mono and 2 track tape
-25:00 - Donnie Jacobs, Jerry Devillier "Booksack" playing harmonica on the record
-29:30 - Lil Bob and the Lollipops
-34:30 - Rod Bernard
-38:40 - Johnnie Allan
-44:30 - Flat Town Music
Interview with Eddie Shuler
Eddie Shuler:
-01:00 - Talking about his new 24 track console
-01:15 - Love Bug Pellerin
-04:10 - Background information
-07:00 - Managing a record store in Lake Charles
-08:30 - Joining the Hackberry Ramblers as a singer
-11:00 - Chicken wire between musicians and spectators at clubs
-14:00 - Mothers chaperoning daughters at dances
-16:25 - Singing in French but not being able to speak it
-17:00 - Early versions of the Hackberry Ramblers - Edwin Duhon, Luderin Darbonne, Cheek? Widcamp, ?? Gentry, Johnny Fab
-19:00 - Ramblers on KPLC radio, Producing advertisements
-24:00 - Leaving the Ramblers, moving to Houston and trying to start a new band
-25:45 - Moving back to Lake Charles, forming the Reveliers
-26:30 - Forming Goldband Records
-28:15 - Meeting Iry Lejeune - First time Eddie had seen an accordion
-29:25 - Eddie reprimanded for putting Iry on the radio
-31:40 - Producing Iry Lejeune's records - 24 78 rpm records; Reissuing Iry's recordings
-34:45 - Pressing plants Eddie used
-38:00 - Recording process before the studio was built
-40:30 - Boozoo Chavis, Sidney Brown
-42:00 - Zydeco music
-43:00 - Hiring Classie Ballou to play with Boozoo, Discussion about Boozoo's recording sessions
-46:35 - Folkstar Record Label
Interview with Eddie Shuler
Eddie Shuler:
-00:00 - Starting the Folkstar label
-01:00 - How he was separating artists between Goldband and Folkstart labels
-01:40 - Starting Goldband Records
-02:55 - Cookie and the Cupcakes
-04:55 - Phil Philips - "Sea of Love"
-05:45 - George Khoury - Publishing company that George and Eddie started but never used
-06:30 - Publishing companies - Eddie's first publishing company - K-Mar; Fort Knox Publishing, TEK Publishing
-09:45 - Rockabilly Music
-12:15 - Katie Webster - discussing her early session work with Barbara Lynn
-15:00 - Rockin' Sydney - Eddie cut 156 sides with him through the 60's, Sydney changing to playing the accordion
-17:00 - Eddie expanding his studio to 16 track capability
-18:55 - "Juke Boy" Bonner - Hitch hiking to Lake Charles from California "I Can't Hardly Keep From Crying"
-19:40 - Jimmy Wilson
-22:20 - Hop Wilson - Rhythm and Blues played on lapsteel guitar
-24:10 - Guitar Jr. - "Family Rules"
-27:00 - Why many artists were gravitating to recording for Eddie over others
-28:00 - Bill Parker, Miss Peggy, Ole Yvonne
-30:25 - Don Pierce
-40:00 - Respect that Eddie has built - talking about his legacy, Wayne Shuler
-43:50 - Missing out on recordings because he was out of town. Rod Bernard - "This Should Go On Forever" and J.P. Richardson "Chantilly Lace"
Sea of Love
Interview with Eddie and Wayne Shuler
Eddie and Wayne Shuler:
-00:00 - Eddie makes statement to Wayne Shuler - naming Wayne as successor to Goldband / TEK companies
-01:30 - Eddie talking about not wanting to work for other people
-02:55 - Eddie's thoughts on how to be successful in the record business - approaching big companies; finding artists; leasing songs
-08:50 - Zydeco music
-10:00 - Speaking about the longevity of any given artist
-13:25 - Conversation between Eddie and Wayne - Wayne discussing his vision for Goldband's future
-16:30 - Record collectors
-17:15 - Goldband being known for Cajun and Zydeco genres
-18:50 - Finding the right song for a particular artist
-19:05 - Goldband Blues releases - market for Blues genre
-20:30 - Record labels overextending themselves and going into debt
-23:30 - Market for Country music - tough market to break into
-26:30 - Herman G., Rockin' Sidney
-29:30 - Management business, working with other labels and distributors;
-34:20 - Hackberry Ramblers - prestige for the label - Issues with Luderin Darbonne not wanting to work with Goldband
-38:50 - Finding a select group of artists to work with and push
-43:00 - Existing catalogue; selling lesser-known artists
Interview with Eddie and Wayne Shuler
Eddie and Wayne Shuler:
-00:30 - Skip Dowers, Herman Gee
-03:35 - Boozoo Chavis - His momentum and following
-06:15 - Gulf War - effects on the business
-08:00 - Younger demographic
-08:45 - Eddie's thoughts on female musicians
-13:00 - Issues with being in Lake Charles / Louisiana
-15:15 - Robert "Bobby" Parker
Interview with Eddie and Wayne Shuler
Eddie and Wayne Shuler:
***Explicit language***
-00:00 - Wayne says he's looking forward to working with his dad
-02:30 - White blues
-03:00 - Kerri Gregory
-03:15 - Eddie's commentary on Wayne's issues with patience
-06:45 - Working with others, Compromising
-08:00 - Wayne things Eddie is difficult to work with
-09:00 - end of track - Long argument between Eddie and Wayne
Interview with Eddie and Wayne Shuler
Eddie and Wayne Shuler:
***Explicit language***
-00:00 - Continued discussion about Kerri Gregory
-01:15 - More of Eddie's commentary on women musicians, Jo-El Sonnier
Interview with Eddie and Wayne Shuler
Eddie and Wayne Shuler:
Copy of BE2-013
***Explicit language***
-00:00 - Wayne says he's looking forward to working with his dad
-02:30 - White blues
-03:00 - Kerri Gregory
-03:15 - Eddie's commentary on Wayne's issues with patience
-06:45 - Working with others, Compromising
-08:00 - Wayne things Eddie is difficult to work with
-09:00 - end of track - Long argument between Eddie and Wayne