Cajun Ensemble:
Mitch Reed (Fiddle), Ken Stewart (Accordion/Vocal), Dutch Donland (Guitar/Vocal), John Prestigiacomo (Fiddle), Colleen McDaniel (Mandolin), Sean Broussard (Banjo/Vocal), Garrett Wood (Bass), Garland Bernard (Drums)
00:00:00 - Untitled 1
00:02:56 - 'La Veuve de Veuf'
00:05:59 - Untitled 2
00:07:49 - 'Balfa Waltz'
00:11:57 - 'L'anse aux pailles'
00:14:31 - Untitled 3
UL Lafayette Bluegrass Faculty:
Dr. Len Springer (Fiddle), Dr. Mark DeWitt (Bass), Ethan Hughes (Guitar/Vocal), Celebrindal Roberts (Fiddle/Vocal), Dakota Pique (Mandolin), Bryan Sims (Banjo)
00:00:00 - 'I Feel the Blues Moving In'
00:03:42 - 'Old Dangerfield'
{end}
UL Lafayette Traditional Music All-Stars:
00:00:00 - 'Reno Waltz' {cont.}
00:01:26 - '73 Special'
00:06:13 - 'La Pinieres'
00:11:11 - 'J'etais au Bal (I Went to the Dance)'
00:19:46 - 'Les Flammes D'enfer (The Flames of Hell)'
00:25:01 - 'Tante Nana'
00:29:00 - 'Boudin Man'
00:34:32 - 'I'm On The Wonder'
00:41:46 - 'Hot Tamale Baby'
{end - Part 3/Video}
Radio Variety Show
02:35 - 'Tit gallop pour Mamou - Les Frères Balfa;
07:00 - Grand Texas - 2 Versions (Explanation about Hank Williams - Jambalaya)
11:20 - Jolie Blonde;
Zydeco Ragin' Steppers:
00:00:00 - 'Knockin' On Heavens Door' {cont.}
00:05:32 - 'Zydeco sont pas Sale'
00:10:34 - 'Ann Cayenne'
00:17:12 - 'Who Is It?'
00:22:04 - 'Down to the Bayou'
00:28:45 - 'If It's Good for the Gander'
00:32:24 - 'Dr. Jim'
00:37:46 - 'Dance All Night'
Megan Brown:
00:00:34 - Mark DeWitt introduces Megan Brown and what specifically she finds interesting within Cajun music
00:02:21 - How Ann Savoy and Jane Vidrine helped her see that there is a place for women in Cajun music
-how she got interested in the ballads of homemaking women she found in the U.L. Lafayette Archives
00:01:09 - Jeffery Broussard's early life, origins, and family's musical relations.
00:03:56 - Broussard on playing drums with his father's band (The Lawtell Playboys), becoming an accordion front-man, and estabilishing Zydeco Force.
00:05:10 - Ways of the family band, and versatility the Broussard siblings possessed while playing together.
Zachary Richard:
00:01:39 - Richard begins with his youth, as well as his musical origins in choir
00:04:04 - Days at Tulane Univesity; radical involvements in correlation with the Moratorium March of 1969
00:06:35 - Timeline of events that ignited becoming a musician, and first expieriences in the music industry
00:09:30 - Cajun upbringings and the start of playing Cajun music
0:00 - conte qui fait peur: maison hantée, boule de feu, homme sur un cheval dans le bois
3:00 - l'argent enterré
6:50 - les esprits, Jean Lafitte, pirates, argent enterré
9:30 - le Ku Klux Klan
11:00 - trésor, homme sur un cheval, homme se transforme en chien, rougarou/lougaroup/loup-garou
12:25 - Bayou Coquille, une femme habillée en blanc assise sur une branche de chêne, trésor enterré, Jean Lafitte
13:45 - un homme au milieu du chemin habillé en uniforme de la Première Guerre mondiale
0:00 - Bouki et son cheval (conte)
2:19 - female voice: "This story of "Lapin & His Riding Horse" was told to Arthur R. Williams by Victor Oubré, a black farmer of rural Broussard, Louisiana who is 63 years old and who heard this story from his father"
2:50 - Un homme qui s'est nommé Celestin Billiot(?) (story)
5:00 - "Je m'éloigne de lui que j'aime"/"La douce tristesse de la séparation" (song)
6:40 - "La délaissée" (song)
8:45 - "Saute, crapeau" (song)
9:05 - Unidentified song
